Plainview-Old Bethpage CSD Expectations Change Lessons Students - - PowerPoint PPT Presentation

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Plainview-Old Bethpage CSD Expectations Change Lessons Students - - PowerPoint PPT Presentation

Joshua Golbert / Director of Music and Performing Arts David Hirsch / Band Director Mattlin Middle School Plainview-Old Bethpage CSD Expectations Change Lessons Students must remember when they have lessons Students need to be


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Plainview-Old Bethpage CSD

Joshua Golbert / Director of Music and Performing Arts David Hirsch / Band Director – Mattlin Middle School

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 Expectations Change  Lessons – Students must remember when

they have lessons

 Students need to be more independent  Rehearsals are more frequent  Performing groups are classes where

students receive a number grade

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 Take an interest in your child’s participation

in music

 Have your child play / sing for you often  Have your child play for family and friends  Take your child to “live” performances /

concerts / events

 Listen to music together  Talk about your experience / participation

in a musical performing group

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 Make sure your child has the following

equipment:

  • proper working instrument
  • portable music stand
  • binder or folder
  • supplies needed for instrument – i.e. reeds,

valve oil, chin rest, sticks, mallets

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 The Importance of Home Practice

 Practice=Homework  Creating the habit of practicing for your child  How to practice: Practice techniques that work

 Practice vs. Playing  Setting practice goals  Importance of using a metronome  The 5 coin/chip method

 Important Questions to ask your child

 “What are you supposed to practice for this week?”  “What did you learn today in band/orchestra/chorus?”

 Practice 10-15 minutes every day throughout the

week instead of playing longer on one or two days.

 Students want immediate gratification  Encourage your child to practice regularly

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 Private Teachers

  • The benefits of private teaching/coaching
  • Tri-M vs. Professional Instructors
  • How is private instruction different from

school instruction?

  • Private teacher assignments vs. school

assignments

  • How to choose the appropriate private

teacher

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 Communication with your Child’s music

teacher is vital!

  • Areas of concern and focus: What types of issues

need to be addressed?

  • Ways to communicate with your child’s music

teacher

  • Checking up on your child’s progress is vital –

Parent Portal

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 What are the “Payoffs”?

  • These classes are now part of the school day
  • Grade counts as part of your child’s GPA
  • Colleges look for this type of continued

participation in a discipline when selecting students.

  • Scholarships are possible!
  • Lunch vs. performing group: Performing

group wins!

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 All-County  LISFA  Nassau Suffolk Band, Jazz

Ensemble, Orchestra & Chorus

 MYO  LIYO  Gemini Youth Orchestra

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 What is NYSSMA?  The Importance & Benefits  How to Prepare for NYSSMA  Other Important Facts & Details

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 Get registration materials from

music teacher or district web site

 Register in December with school

music teacher

 Now is the time to plan ahead and

request any scheduling needs!

 Receive “playing permit” with

time/date/room a couple of weeks before festival

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 Arrive early to find school, park,

find room

 Go to the registration desk and

present your playing permit

 If time, go to warm-up room  Go to assigned room and check in

with room monitor

 Perform solo for adjudicator  Go to Friendly’s – celebrate!

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 Auditions are 10 minutes (levels 1-4) or

15 minutes (levels 5-6, all percussion)

 Students will be assigned a specific

date/time/room

 Weekday festivals 4:00 pm -9:00 pm  Weekend festivals 9:00 pm -2:00 pm  Arrive early to park, warm-up, find the

room, etc.

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 Performance experience  Feedback from a trained

adjudicator who is not the parent/teacher

 NYSSMA grades are used for All

County Music, LISFA and other honors ensemble selections

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 Music mu

must st be selected from current NYSSMA manual (edition XXX)

 Student should have one copy for

himself, and one for the adjudicator

 No photocopied music is allowed  All POB Music Teachers have a copy

  • f the manual
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 Levels from 1 (easiest) to 6 (most

challenging)

 All auditions include sight-reading and

scales (no scales for voice)

 Jazz includes improvisation instead of

scales

 Percussion includes rudiments instead

  • f scales
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 For current 10th and 11th graders  Level VI Solo  Needs teacher recommendation  Needs accompanist  Makes student eligible for All State

Ensembles, which perform in Rochester in December

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 Piece not in current manual, wrong

edition, etc.

 Confusion about required scales  Playing a jazz solo, but did not

register for jazz

 Percussion equipment  Needed accompaniment  Festival rating  NYSSMA Office

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Al All l Co Count unty y Mus usic

  • Run by NMEA
  • Considered for participation by teacher

recommendation and NYSSMA scores (auditions for jazz only)

  • 3 rehearsals at sites around the county in

January with performance at Tilles Center

  • District provides transportation to

rehearsals (except some jazz)

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SLIDE 20

Al All l St Stat ate e Mus usic c Co Conf nference erence

  • Run by NYSSMA
  • Students considered based on NYSSMA

All-State Festival score. Less than 10% acceptance rate.

  • Students spend 4 days in Rochester, NY

rehearsing, and perform at Eastman Theater (usually the week after Thanksgiving)

  • District pays some expenses
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LI LISFA SFA

  • Run by Long Island String Festival

Association

  • Considered for participation by teacher

recommendation and NYSSMA scores

  • Rehearsal Fri/Sat - peformance Sunday
  • District provides transportation to

rehearsals

  • Two festivals: Grade 8-12 in

November, Grade 5-7 in February/March

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Que uestion stions? s?