PERSPECTIVES ON THE POLITICAL ECONOMICS OF MUSIC FESTIVALS Vienna - - PowerPoint PPT Presentation

perspectives on the political
SMART_READER_LITE
LIVE PREVIEW

PERSPECTIVES ON THE POLITICAL ECONOMICS OF MUSIC FESTIVALS Vienna - - PowerPoint PPT Presentation

KEYNOTE PERSPECTIVES ON THE POLITICAL ECONOMICS OF MUSIC FESTIVALS Vienna Music Business Research Days 2018 14 th September 2018 Jun.-Prof. in Dr. in Beate Flath Paderborn University, Department of Music Popular Music and Media 1


slide-1
SLIDE 1

PERSPECTIVES ON THE POLITICAL ECONOMICS OF MUSIC FESTIVALS

Vienna Music Business Research Days 2018 – 14th September 2018 Jun.-Prof.in Dr.in Beate Flath Paderborn University, Department of Music – Popular Music and Media

KEYNOTE

slide-2
SLIDE 2

1

https://www.goodreads.com/book/show/1680537.The_Expediency_of_Culture, 10th September 2018

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-3
SLIDE 3

2

Source: https://www.penguin.co.uk/books/280466/the-value-of-everything/, 10th September 2018

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-4
SLIDE 4

Average expenses at music events (in per cent, 2015)

Source: REPUCOM, The Sponsor People, Live Music Sponsorship Report 2015, p. 7; Survey period: 2015; Participants: 2.500 between 14 and 34 years, Regions: France, Germany, Great Britain, Japan, USA (500 participants per region), Total expenditure: 17,2 billion euros (tickets, food, beverages, accommodation, travel expenses).

3

36 25 22 17 5 10 15 20 25 30 35 40 Festival (Indoor/Open Air) Concert (Bar/Club) Concert (Arena, indoor) Concert Stadium

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-5
SLIDE 5

Average ticket prices for music festivals (in Euro, 2015)

Source: REPUCOM, The Sponsor People, Live Music Sponsorship Report 2015, p. 7; Survey period: 2015; Participants: 2.500 between 14 and 34 years, Regions: France, Germany, Great Britain, Japan, USA (500 participants per region).

4

112,1 76,8 75,7 66,6 43 20 40 60 80 100 120 Great Britain USA Germany Japan France

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-6
SLIDE 6

Average travel- and accommodation expenses (in Euro, 2015)

Source: REPUCOM, The Sponsor People, Live Music Sponsorship Report 2015, p. 7; Survey period: 2015; Participants: 2.500 between 14 and 34 years, Regions: France, Germany, Great Britain, Japan, USA (500 participants per region).

5

76,4 70,5 60 52,6 43,2 10 20 30 40 50 60 70 80 90 Great Britain USA Japan France Germany

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-7
SLIDE 7

Average expenses for food and drinks at the festival site (in Euro, 2015)

Source: REPUCOM, The Sponsor People, Live Music Sponsorship Report 2015, p. 7; Survey period: 2015; Participants: 2.500 between 14 and 34 years, Regions: France, Germany, Great Britain, Japan, USA (500 participants per region).

6

58,2 45,1 41,5 29 27 10 20 30 40 50 60 70 Great Britain Germany USA France Japan

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-8
SLIDE 8

Music Festivals: Frameworks

7

  • Eventisierung (e.g. Gebhardt 2000; Hitzler 2011)
  • Festivalization (Bennett, Taylor, Woodward 2014)

„In a world where notions of culture are becoming increasingly fragmented, the contemporary festival has developed in response to processes of cultural pluralization, mobility, and globalization, while also communicating something meaningful about identity, community, locality and belonging.“ (Bennett, Taylor, Woodward 2014: 1)

  • Marketing Event
  • Experience Economy (Pine & Gilmore 1998, 1999)
  • Customer Experience Management

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-9
SLIDE 9

8

Steven Brown, Donald Getz, Robert Pettersson, Martin Wallstam (2015), Event evaluation: definitions, concepts and state of the art review, International Journal of Event and Festival Management, vol. 6, Issue 2, p. 141.

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-10
SLIDE 10

Melt! Festival

Source: Julia Köhler, Events als Instrumente des Regionalmarketing Entwicklung eines Bezugsrahmens zur regional-strategischen Event- wirkungskontrolle, 2014.

9

  • Location: Gräfenhainichen (Sachsen-Anhalt, Germany) – „Ferropolis“
  • Visitors: (2011): 23.930
  • Organisers: Melt! Festival GmbH & Co. KG
  • Research on various effects of the Melt! Festival on the region Anhalt-Dessau-Wittenberg,

e.g. economic effects, social effects, touristic effects and ecological effects

  • Method: online-/offline-questionnaire, face-to-face-interviews
  • Value creation effect: 1,7 million euros (primary and secondary effect)
  • Income effect:1,3 million euros (primary and secondary effect)

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-11
SLIDE 11

Orange Blossom Special Festival (OBS)

Source: Beate Flath, Festivals in rural regions: an empirical study on value creation processes by the example of the Orange Blossom Special Festival (OBS), 2016-2017

10

  • Location: Beverungen (Nordrhein-Westfalen, Germany) - Company site of the label

Glitterhouse Records

  • Visitors: (2016): ca. 2.900
  • Research on values and value-creation-processes
  • Method: online-questionnaire, face-to-face-interviews
  • Beside economic effects: (Business) Relations, Atmosphere, Stimulation and vivid lifestyle,

Cultural enrichment and Publicity

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-12
SLIDE 12

Placemaking-Projects

11

  • Initiate transformative processes, like community building, participation or empowering citizen

groups

  • Community-driven, inclusive, context-specific, dynamic, transdisciplinary, transformative,

flexible and sociable

  • Haltestelle Fortschritt (Mannheim, Germany)
  • Festival International Cervantino (Guanajuato, Mexico)
  • Lai Heua Fai, Festival of Light (Luang Prabang, Laos)

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-13
SLIDE 13

The political economics of music festivals: critical remarks

12

  • What about freedom of artistic expression, negative effects of music festivals, like a huge

amount of waste, traffic jams, overfill of supermarkets, parking space and accommodation, annoyance by din etc., which are accompanying every festival?

  • Is there only the permission for being loud – in the double sense of the word – when the gross

domestic product is affected positively?

  • Or in adapted words of Mariana Mazzucato: What if value extraction happens in the name of

value creation?

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-14
SLIDE 14

PERSPECTIVES ON THE POLITICAL ECONOMICS OF MUSIC FESTIVALS

Vienna Music Business Research Days 2018 – 14th September 2018 Jun.-Prof.in Dr.in Beate Flath Paderborn University, Department of Music – Popular Music and Media

KEYNOTE

slide-15
SLIDE 15

The political economics of music festivals (Panel discussion)

14

Presentation on “Music Festival Conferences as Live Incubators of the Music Industry” by Detlef Schwarte (Reeperbahn Festival, Hamburg, Germany) & Carsten Winter (Hanover University of Music, Drama and Media, Germany) Discussants: Axel Ballreich (LiveKomm, Hamburg) Martin Cloonan (Turku Institute of Advanced Studies, University of Turku, Finland) Detlef Schwarte (Reeperbahn Festival, Hamburg, Germany) Peter Smidt (Eurosonic Noorderslag Festival, Netherlands) Moderation: Beate Flath (Paderborn University, Germany)

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-16
SLIDE 16

Bibliography (Selection)

15

Andy Bennett (1992), Putting policy into cultural studies, in: Lawrence Grossberg, Cary Nelson & Paula A. Treichler (eds.), Cultural Studies, New York: Routledge, p. 23–37. Andy Bennett, Jodie Taylor, Ian Woodward (2014), Festivalization of Culture, Farnham: Ashgate. Steven Brown, Donald Getz, Robert Pettersson, Martin Wallstam (2015), Event evaluation: definitions, concepts and state of the art review, International Journal of Event and Festival Management, vol. 6, Issue 2, p. 135–157. Festival- und Musikeventbranche: Statista-Dossier zum Thema Festival- und Musikeventbranche, Hamburg: Statista, 2017. Beate Flath (2017), Festivals in rural regions: an empirical study on value creation processes by the example of the Orange Blossom Special Festival (OBS). Online available. Bruno S. Frey (1994), The Economics of Music Festivals, Journal of Cultural Economics 18, p. 23–39. Winfried Gebhardt, (2000), Feste, Feiern und Events. Zur Soziologie des Außergewöhnlichen. In: Winfried Gebhardt et

  • al. (eds.), Events. Soziologie des Außergewöhnlichen, Opladen: Leske + Budrich, p. 17–31.

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018

slide-17
SLIDE 17

Bibliography (Selection)

16

Fabian Holt, Francesco Lapenta (2013), The social experience of cultural events: conceptual foundations and analytical strategies, in: Jan Sundbo & Flemming Sørensen (eds.), Handbook of Experience Economy, Cheltenham/Northampton: Edward Elgar, p. 363–380. Julia Köhler (2014) Events als Instrumente des Regionalmarketing. Entwicklung eines Bezugsrahmens zur regional- strategischen Eventwirkungskontrolle, Wiesbaden: Springer Gabler. Mariana Mazzucato (2018), The Value of Everything. Making and Taking in the Global Economy, London: Allen Lane Penguin. Ronald Hitzler (2011), Eventisierung. Drei Fallstudien zum marketingstrategischen Massenspaß, Wiesbaden: Springer. Joseph Pine II & James Gilmore (1998), Welcome to the Experience Economy, Harvard Business Review, July 1, 1998. Joseph Pine II & James Gilmore (1999), The Experience Economy, Boston: Harvard Business School Press. George Yúdice (2003), The Expediency of Culture. Uses of Culture in the Global Era, Durnham & London: Duke University Press.

Jun.-Prof.in Dr.in Beate Flath, VMBRDAys 2018, 14th September 2018