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In the name of Allah the compassionate, the merciful Digital Video Systems S. Kasaei S. Kasaei Room: CE 307 Department of Computer Engineering Sharif University of Technology E-Mail: skasaei@sharif.edu Webpage: http://sharif.edu/~skasaei


  1. In the name of Allah the compassionate, the merciful

  2. Digital Video Systems S. Kasaei S. Kasaei Room: CE 307 Department of Computer Engineering Sharif University of Technology E-Mail: skasaei@sharif.edu Webpage: http://sharif.edu/~skasaei Lab. Website: http://ipl.ce.sharif.edu

  3. Acknowledgment Most of the slides used in this course have been provided by: Prof. Yao Wang (Polytechnic University, Brooklyn) based on the book: Video Processing & Communications written by: Yao Wang, Jom Ostermann, & Ya-Oin Zhang Prentice Hall, 1 st edition, 2001, ISBN: 0130175471. [SUT Code: TK 5105 .2 .W36 2001].

  4. Chapter 2 Fourier Analysis of Video Signals & Frequency Response of the HVS

  5. Outline � Fourier transform over multidimensional space: � Continuous-space FT (CSFT) � Discrete-space FT (DSFT) � Frequency domain characterization of video signals: � Spatial frequency � Temporal frequency � Temporal frequency caused by motion Kasaei 6

  6. Outline � Frequency response of the HVS: � Spatial frequency response � Temporal frequency response & flicker � Spatio-temporal response � Smooth pursuit eye movement � Video sampling (a brief discussion) Kasaei 7

  7. Continuous-Space Signals � K-D space continuous signals: R : set of real numbers k ψ = ∈ ( x ), x [ x , x ,..., x ] R real or complex 1 2 K X : K-D � Convolution: continuous variable ∫ ψ = ψ − ( x ) * h ( x ) ( x y ) h ( y ) d y k R � Example function: � Dirac delta function: Kasaei 8

  8. Continuous-Space Fourier Transform (CSFT) � Forward transform: ∫ T Ψ = ψ − π ( f ) ( x ) exp( j 2 f x ) d x c k R � Inverse transform: ∫ Ψ T ψ = π ( x ) ( f ) exp( j 2 f x ) d f c k R � Convolution theorem: ψ ⇔ Ψ ( x ) * h ( x ) ( f ) H ( f ) c c ψ ⇔ Ψ ( x ) h ( x ) ( f ) * H ( f ) c c Kasaei 9

  9. Continuous-Space Fourier Transform (CSFT) � More on inverse transform: ∫ Ψ ψ = π T ( x ) ( f ) exp( j 2 f x ) d f c k R � The inverse CSFT shows that any signal can be expressed as a linear combination of complex exponential function with different frequencies. � The CSFT at a particular frequency represents the contribution of the corresponding complex exponential basis function. � The transform determines the correlation between the input signal & its projection on some defined basis function. � Orthogonal basis functions preserve the signal energy in the transform domain. Kasaei 10

  10. Continuous-Space Systems � General system over K-D continuous space: φ = ψ ∈ k ( x ) T ( ( x )), x R � Linear & (Space) Shift-Invariant (LSI) System: α φ + α φ = α ψ + α ψ ( x ) ( x ) T ( ( x ) ( x )) 1 1 2 2 1 1 2 2 ψ + = φ + T ( ( x x )) ( x x ) 0 0 � LSI system can be completely described by its impulse response: ( ) = δ h ( x ) T ( x ) φ = ψ ⇔ Φ = Ψ ( x ) ( x ) * h ( x ) ( f ) ( f ) H ( f ) c c c Kasaei 11

  11. Discrete-Space Signals � K-D space discrete signals: ψ = ∈ K ( n ), n [ n , n ,..., n ] Z 1 2 K � Convolution: ∑ ψ = ψ − ( n ) * h ( n ) ( n m ) h ( m ) ∈ K m Z � Example function: � Kronecker delta function: Kasaei 12

  12. Discrete-Space Fourier Transform (DSFT) � Forward transform: ∑ Ψ = ψ − π T ( f ) ( n ) exp( j 2 f n ) d K ∈ n R Ψ ( f ) is periodic in each dimension with period of 1 d { } K = ∈ − unit freq: Fundamenta l period : I f , f ( 1 / 2 , 1 / 2 ) k hypercube repeats @ integer points � Inverse transform: ∫ T ψ = Ψ π ( n ) ( f ) exp( j 2 f n ) d f d ∈ K f I � Convolution theorem: ψ ⇔ Ψ ( n ) * h ( n ) ( f ) H ( f ) d d ψ ⇔ Ψ ( n ) h ( n ) ( f ) * H ( f ) Kasaei 13 d d

  13. Frequency Domain Characterization of Video Signals � Spatial frequency � Temporal frequency � Temporal frequency caused by motion Kasaei 14

  14. Spatial Frequency � Spatial frequency measures how fast the image intensity changes in the image plane. � Spatial frequency can be completely characterized by the variation frequencies in two orthogonal directions ( e.g., horizontal & vertical): � f x : cycles/horizontal unit distance. � f y : cycles/vertical unit distance. � It can also be specified by magnitude & angle of change: 2 2 = + θ = f f f , arctan( f / f ) m x y y x Kasaei 15

  15. Illustration of Spatial Frequency Kasaei 16

  16. Angular Frequency � Problem with previous defined spatial frequency: � Perceived speed of change depends on the viewing distance. 180 h θ = ≈ = 2 arctan( h / 2 d ) (radian) 2 h/2d(radia n) (degree) π d π f d = = s f f ( cycle/degr ee) Kasaei 17 θ s θ 180 h

  17. Angular Frequency � For the same picture, the angular frequency increases as the viewing distance increases. � For a fixed viewing distance, a larger screen size leads to lower angular frequency. � The same picture appears to change more rapidly when viewed farther away, & it changes more slowly if viewed from larger screen. � It depends on both the spatial frequency in the signal & the viewing conditions. Kasaei 18

  18. Temporal Frequency � Temporal frequency measures temporal variation (cycles/s). � In a video, the temporal frequency is spatial position dependent, as every point may change differently. � Temporal frequency is caused by camera or object motion. � It depends not only on the motion, but also on the spatial frequency of the object. Kasaei 19

  19. Temporal Frequency caused by Linear Motion Kasaei 20

  20. Relation between Motion, Spatial, & Temporal Frequency = Consider an object moving with speed ( v , v ). Assume the image pattern at t 0 x y ψ is ( x , y ), the image pattern at time t is 0 X’ y’ under ψ = ψ − − ( x , y , t ) ( x v t , y v t ) CIA 0 x y ⇔ convolution Ψ = Ψ δ + + ( f , f , f ) ( f , f ) ( f v f v f ) x y t 0 x y t x x y y 2-D CSFT Relation between motion, spatial, and temporal frequency : nonzero on plane = − + f ( v f v f ) t x x y y The temporal frequency of the image of a moving object depends on motion as well as the spatial frequency of the object (projection of v on f ). Example: A plane with vertical bar pattern, moving vertically, causes no temporal change; but moving horizontally, it causes fastest temporal change. Kasaei 21

  21. Illustration of the Relation = = ⇒ = f f 0 f 0 x y t Kasaei 22

  22. Frequency Response of HVS � Temporal frequency response & flicker � Spatial frequency response � Spatio-temporal response � Smooth pursuit eye movement Kasaei 23

  23. Frequency Responses of HVS � Most of the video systems are ultimately targeted for human viewers. � It is important to understand how the human perceives a video signal. � Sensitivity of the HVS to a visual pattern depends on the spatial & temporal frequency content of the pattern. Kasaei 24

  24. Frequency Responses of HVS � The visual sensitivity is highest at some intermediate spatial & temporal frequencies. � It then falls off & diminishes at some cut-off frequencies. � Spatial or temporal changes above these frequencies are invisible to the human eye. � They form the basis for determining the frame & line rates in video capture & display systems. Kasaei 25

  25. Temporal Frequency Responses � The temporal frequency response of the HVS refers to the visual sensitivity to a temporally varying pattern at different frequencies. � The temporal response of an observer depends on viewing distance, display brightness, ambient lightning, & … � The temporal response of the HVS is similar to a BPF. Kasaei 26

  26. Temporal Frequency Responses � The peak increases with the mean brightness of the image. � One reason that the eye reduces sensitivity at higher temporal frequencies is because the eye can retain the sensitivity of an image for a short time interval (even when the actual image has been removed). � This phenomenon is known as the persistence of vision. Kasaei 27

  27. Flicker Perception � It causes temporal blurring, if a pattern changes in a rate faster than the refresh rate of the HVS. � It allows the display of a video signal as a consecutive sequence of frames. � As long as the frame interval is shorter than the visual persistence period, the eye perceives a continuously varying image. � Otherwise, the eye will observe frame flicker. Kasaei 28

  28. Flicker Perception � The lowest frame rate at which the eye does not perceive flicker is known as the critical flicker frequency . � The brighter the display, the higher the critical flicker frequency. � The motion picture industry uses 24 frames/sec. Kasaei 29

  29. Flicker Perception � The TV industry uses 50/60 fields/sec. � The computer display uses 72 frames/sec. � A troland is the unit used to describe the intensity of light entered the retina. Kasaei 30

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