HDR Photography Another Tool for the Photographer High Dynamic - - PowerPoint PPT Presentation

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HDR Photography Another Tool for the Photographer High Dynamic - - PowerPoint PPT Presentation

HDR Photography Another Tool for the Photographer High Dynamic Range What does it mean? Ratio between the maximum & minimum measureable light intensities (white & black) The human eye can see 24 stops, if allowed to adjust for


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SLIDE 1

HDR Photography

Another Tool for the Photographer

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SLIDE 2

High Dynamic Range

  • What does it mean?
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SLIDE 3

Ratio between the maximum & minimum measureable light intensities (white & black)

  • The human eye can see 24 stops, if allowed

to adjust for the shadows.

  • (10-14 if pupils do not adjust.)
  • Printing paper and monitors see less than

half that range. (Worse is the projector you are viewing now.)

  • So the goal for HDR photos is to compress

that range

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SLIDE 4
  • Dynamic Range is simply the lightest to

darkest exposures capable of registering with your camera. So HIGH Dynamic means more range. The problem is how do we effectively capture more range than our camera can record?

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SLIDE 5

How Do I Create HDR?part 1

  • Start with multiple exposures of the same
  • image. (Keep the aperture the same, and

change the exposure time.)

  • For SLRs, use AEB mode (auto

bracketing).

  • For Point and Shoots, manually change

the exposure each time. iPhone has HDR

  • ption
  • Use a tripod if possible.
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SLIDE 6

How Do I create an HDR, part 2

  • Once the images are loaded into the

computer, use the newer special software.

  • “old choice” was layers in software
  • Film days was zone system and use of

neutral density filters

  • free software (more limited)
  • commercial (time trials available)
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SLIDE 7

Google HDR, and you get many choices:

Aurora HDR (MAC only) Easy HDR HDR Darkroom Photoshop CS5-CC Elements Photomatix Nik HDR Effex, and now Lightroom 6

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SLIDE 8

Pseudo HDR- What is it?

  • Created from one exposure, then use HDR

software to tone map. This is not “real” HDR images, since no NEW dynamic range information was included in the creation.

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SLIDE 9

What an HDR Image looks like

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SLIDE 10

Tonemapping: the final step

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SLIDE 11

Benefits

  • Really stop worrying about getting

the right exposure

  • Exceed the digital camera’s range of

capture

  • More detail and color
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SLIDE 12

Problems:

  • Another layer of work for us

photographers

  • Avoiding the “unnatural” or

“grunge” photo

  • dealing with moving objects
  • contolling the image: halos around
  • bjects
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SLIDE 13

The Real and Not So

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SLIDE 14

Situations Where HDR Will Not Work

  • Sports photography
  • Closeup photography where objects

move in the breezes

  • anytime you have movement of major

elements

  • low contrast images- with no range,

there is no benefit

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SLIDE 15

Cameras are building HDR into the camera software: Will it be the best way to go?