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Early Twentieth-Century Fiction e20fic19.blogs.rutgers.edu
- Prof. Andrew Goldstone (andrew.goldstone@rutgers.edu)
Early Twentieth-Century Fiction e20fic19.blogs.rutgers.edu Prof. - - PowerPoint PPT Presentation
Early Twentieth-Century Fiction e20fic19.blogs.rutgers.edu Prof. - - PowerPoint PPT Presentation
Early Twentieth-Century Fiction e20fic19.blogs.rutgers.edu Prof. Andrew Goldstone (andrew.goldstone@rutgers.edu) Office hours: Murray 019, Thursdays 11:301:30 or by appointment September 19, 2019. Woolf (2). review: Woolfs own
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If it were not for Whitaker’s Almanack!—if it were not for the Table of Precedency! (88)
104
Privy Council in Irelanf. Table of Precedency. Щ)е ILort lieutenant anï JIJÍ0 jnajeetg'ja ttounetl in ïrflanîj. honourable
His Excellency JOHN CAMPBELL, EAIIL OF ABERDEEN,
G.M.P., к.т., G.C.M.G., Lord LÚ'Uti4Ktnt'Oenfral and Gsnfrai Gorvntor
- f Irelatid,
U.K.».
U»G Prince
- f \Valu.4.
- H. H.H. tho Dude of Ctmiumght.
.-Sir Rcnry Campbell -Bann erman. Tho
Lord Chancellor Sir
ВЯШПШ Walkor. Bt.
Diiku of Devonshire. Duke of Abercorn. Marques« of tjondonderry. ManfaeMOf Ormonde. Karl of Westinoîith- Karl of Mcatli. Earl of Fingall. Karl of M:ivu. Karl of Knie. Karl of Bclnioro. Karl of Dmnmm and Mount Karl. Earl of Ranfurly. Karl Roberts. y$. Viscount Wolseley. Viscount St. Aldwyn. Lord Clonbroek. Lord Adiboarop.
- Lord. O'Iïrbn (Ы. С JJ,
Lord Allerton. Lord Barrvmore. Lord Onmfcll. Lord Atkinson. Lord Hemphill. Lord Pirrie, Augustine íiirrell fC'hitf Ar. Л Hedge* Куге Chatterton (ficv-Ch,), CbrfitOpbM I':illc.if/,(/.
f'A. Ibiron). Gerald KitzOibbon (Lont Jmticc).
Huiirv Brnen.
- Win. Moore Johnson (Judge K.K.J,
Sir George Otto Trevely.'in,
Ifcu-t.
Sir Aiitirew Marshall Porter, liart.
.Sir WiUbiu Hart U.vke, Hart.
Hugh Holm«» /£un/ Jnieiwi. John Morley. John Young. Arthur James Half our. John Goorgo (iibson f'/ittfy
).
Sir Rodvern II. Huiler, >'ùr. Sir Henry Her\4'V Bnicu, Bart. Sir JoHnfa West 'Hi'lKUWay. Dodgfinn H. MîuliUm fJiubffJ, Tlioni;w Alexander Dickson. Gerald
- W. Balfuur.
Thomas Sinclair. Sir Kdward Henry Caraon.
- Ilion. Sir Hortwo Curzoii Plnnkctt.
^Viltlam Drennan Andrews t Sir David llama. "íeorKo Wvndham. William ken Jonathan Hogg. John ROMS {Iv.tltff). Mir Hunrr AiiKustiis Robinson. Frodericfc Wrench. Sir Autour Patrick MacDonnell. Sir John Charlea íteady Colomb. 'Пк'иихя Andruw«. Walter II nine Long, .lame« Brrcc. Sir Frederick Richard Falkincr. юл Henry Мп.ччеп (^iinpUtll. Sir Kowland ЕЙШВвГЬМВК. Bíirt. Sir Patrick UolL Richanl Robert Clierry. Sir Francis
- K. W. MaunoghU'ii,
Bnrt. Alexander M. Carlisle. Robert Young.
%rt
- / fte Cvuncil,
Sir Jamen В. Dougherty,
C.B. (Dublin Castle).
fmbers of the Privy Council of Ireland, like those of England, are addressed as The
E: i . I . i Honourable.
{Table
- f
Vire -Olí nmbcrlain of Но The Sovereign. The Prince of Walen.
Grandisone
- f the Sovereign.
Bovereicn'« Brothers. Sovereign's Uncle«. Sovereign's Nephews. ЛтЬаввааогв. Archbishop
- f Canterbury.
Lord High Chancellor. ArohMshoi» of York. Prime Minister. bird Cliitneollor »f Ireland. Tx>nl President
- f the ООШНШ*
Lord Privy Seal. Five following State Offiren if Dukce: ii) Lord Great Ohamberlaln ion duty). <я\ ' , l Mnrahnl. (3» Lord St^wanl. (41 Lonl C'hamborlain. '5! The M ¡inter of the Hone. líukcü. :.. ..|ifinh- to their Patente
- f
Creation :
- i. Of England
; a. Of Scotland ; 3. Of <iPCAt nritaiu;
- 4. Of Ireland
; 5, Those created nnco the Union. Elduat none of Dukce of Blood Royal. l'ivtuiîXrt'oStnteOfficerflif M апшено^в. >1агцией*е*. in nime order ял Dukce. Duki*' eldest Son».
Fire al»ove Stute Officurs if Karle. Karl«, in вате order as iHikt?«. Younger sons of Dukes of Blond Royal. MuriiuesîWi' eldeet
Sonn. T>u!ies' rounder Hons. Five above State Officers if Viscount*. Viscount*, in name order as Dukce. ЕкгЬ' rldcst Sonn. Marqueaees' younger Soni. Bishoi*a
- f I»mlon,
Durham and AVinchceter. All other ЕпдПяп IMehops. according to their «eniority of ООПЕНПЛяо, Five above SUt« Offinir« if Иягопч.
- .
г. - .., j.-
- f -i .i if of the degmi
nf n Ibiron. IlaronJif, in name outer us Dukca. Speaker of the ITouee of Commun.*.
Тгмпт
- f H. M. 'и Houwhol.l.
Comptroller
- f H.H. 'в Hoiimhold.
:crctariea oí Ht^te under
- f liaron.
Viwoimts' elüc-et Sone. Earln' уочпдег Sons. liaron«' eldest Кчпн. __ light« of the (iarU'r if < 'orninoniin». Privy Councillor* if of no higher rank. Chancellor of tbe Exeho<iuer. Chuiiccllorof tin? IhK-hy of [ЛМНЙК Lurd Chief Jmlice of England. Mnstur of the RolU. The Lonlti Jtieticee
- f
At>j>cal and I'n'MiilL-iit
- f tb'-' Pmluito Court,
JudRca of the High Omit. VÍN;.-oiiute' younger Sime. IbiroiiH younger Son». Sons of Mfe Peer». Bunmctflof eil her К ¡пЫшл. according to -liit^ of Patent*. Knight« Crand M.- of the Bath. Knight* Orand <.'onim.onders of the Htarof India. Knighte Ontnd (.'rose of Ht. Michael and Ht. t.íeorgv. KiiighU (iraud í'omniftiuleni of l (tu Indian Emiiiro. Knighte íinmd CÎTO*JO/ th« Royal Vietorian Order. Knights Oomminaan
- f the above
Urdere. К nil- lit- Itarhelont. Oimmonderri of tin- Ruval Victoriao Order. fudge«
- f County Court« ami .Tudgos
uf the City "t bin.ion Court. Serjeant* at law. Ч i i : . in LurmrV. Оаицшиаш
- f the R-itb. Star of India,
- St. Michael and St.. Ueorge,
Itidixn Kinpire. Memljent 4th Clase of the Royal Victorian Or-ler.
* Service Order Guiu])aniouH
- f t lu* Itmwrial
Service Order, fildeat Sons of уоипксг Hone of I'.-rnt. Tbn.iift« .-l.trtit S-.ÍIÍ. l'lii'^: N»ti> ni Kuitflil« iii onler of their 9E9m» Member- 5th Ola« of the Royal Vietorian Order.
i ounger Sons of tbe vounger 8сли
- f Реегв.
TîarunetH' youncer Копя. Younger Sonn of Knights in the e&me
- nh-r as tbeir Tftthei-s.
Naval, Milit-M ,. and other Eequirei by Office. ЛУотеп Utke the »une rank ne theii liitnb:iiidn or an their eldest brothei-я ¡ it the daughter of a Peor mnrrying л immuner retniíiH her title as Lad>
- r Hunourabli!.
1'auphU-ri*
- f Peon
rnnk next imraediatuly after thi «n-en
- f
their elder brother*, and bafon their younger brother*' wivcn,
l»;tUK')itcre of ГМН marrying Pours
- l
lower »legre« tnko the same
- nlcr
- l
in К0авО0 as that of their ЫшмамЬ ¡litis the daughter
- f ft Dnke
marry ing a Baron degrade« to the rank 01 DUOMM
- nly, while
her (datera mar ricfl to commoners retain their rani mid tiike prei'ctlenee
- f the
Baron*>ws Mpivlv official r;ink on the ЬияЬнлгГ:
Hirt
ШОИ not give any Bimilar i»re cedence to the wife. For faller tabb-< "WntTAKER's PKEHAGK, BAHOMT n, KxiUllTAliE ANI> CoMPANIONAAE,' I 'P- 73-75- Tliere яге three1 Onlcrs confinai t' T/t(l im: The OH«r of Victoria »iic Alt-crt. the <-i4>wn of India, anil th« Itoyal Rtxl Сгояя. Hut members an entitle«! to no special precedence. I/OCAL PRECKDKXCT. No
irrittci
ОМЯ of coimty
- r city ortlcr
- f pre
ОЮЮОв Ьая lieen iir«-»mulgat«l. пч iwiturally
in the county the
Глчч [,ii>utcii.-nit st.-n nlî. first, and oeoondl' the SherifT.
In
London and Oft» Coq »orations, the Mnvor г mils first nfter him the Alderuicii. Hht-rifl Chief (»ffii-t-r«. and Liven.
At Oxfon
aiul Cnnibridee tin- Hfirli Sli»rin't:ik.i precedence
- f thi- ГШПМЯМШвНт;
nu»
Joseph Whitaker, An Almanack for the Year of Our Lord 1908 (London: Whitaker, 1907; HathiTrust), 104.
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real vs. “real”
I feel a satisfying sense of reality which at once turns the two Archbishops and the Lord High Chancellor to the shadows of shades. (89) the air of reality (solidity of specification) (James, “Art of Fiction,” 390)
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real vs. “real”
I feel a satisfying sense of reality which at once turns the two Archbishops and the Lord High Chancellor to the shadows of shades. (89) the air of reality (solidity of specification) (James, “Art of Fiction,” 390)
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the transfer of confidence
Exterior events have actually lost their hegemony, they serve to release and interpret inner events. (Erich Auerbach, Mimesis: The Representation
- f Reality in Western Literature, trans. Willard R. Trask [Princeton U.P.,
1957], 538) A transfer of confidence: the great exterior turning points and blows of fate are granted less importance. (Auerbach, 547) “Curse this war! God damn this war!” (“The Mark on the Wall,” 91)
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the transfer of confidence
Exterior events have actually lost their hegemony, they serve to release and interpret inner events. (Erich Auerbach, Mimesis: The Representation
- f Reality in Western Literature, trans. Willard R. Trask [Princeton U.P.,
1957], 538) A transfer of confidence: the great exterior turning points and blows of fate are granted less importance. (Auerbach, 547) “Curse this war! God damn this war!” (“The Mark on the Wall,” 91)
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questions of scale
Let us not take it for granted that life exists more fully in what is commonly thought big than in what is commonly thought small. (“Modern Fiction,” 150) He was little or nothing but life. (“The Death of the Moth,” 4)
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whose freedom?
He was in process of saying that in his opinion art should have ideas behind
- it. (80)
Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others. (Room, 73)
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whose freedom?
He was in process of saying that in his opinion art should have ideas behind
- it. (80)
Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others. (Room, 73)
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Woolf’s opinion
All I could do was to offer you an opinion upon one minor point—a woman must have money and a room of her own if she is to write fiction. (Room, 4)
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Shakespeare’s sister
Let me imagine, since facts are so hard to come by (Room, 60)
Discussion
What does the parable of Judith Shakespeare tell you about the conditions for writing freely? Find specific examples.
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Shakespeare’s sister
Let me imagine, since facts are so hard to come by (Room, 60)
Discussion
▶ What does the parable of Judith Shakespeare tell you about the conditions for writing freely? Find specific examples.
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When the web is pulled askew, hooked up at the edge, torn in the middle,
- ne remembers that these webs are not spun in mid-air by incorporeal
creatures, but are the work of suffering human beings, and are attached to grossly material things, like health and money and the houses we live
- in. (Room, 54–55)
Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every airborne particle in its tissue. (James, “Art of Fiction,” 388)
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When the web is pulled askew, hooked up at the edge, torn in the middle,
- ne remembers that these webs are not spun in mid-air by incorporeal
creatures, but are the work of suffering human beings, and are attached to grossly material things, like health and money and the houses we live
- in. (Room, 54–55)
Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every airborne particle in its tissue. (James, “Art of Fiction,” 388)
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pencil stories
We shed the self our friends know us by and become part of that vast republican army of anonymous trampers. (“Street Haunting,” 20) Am I here, or am I there? Or is the true self neither this nor that, neither here nor there, but something so varied and wandering that it is only when we give the rein to its wishes and let it take its way unimpeded that we are ourselves? (29)
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pencil stories
We shed the self our friends know us by and become part of that vast republican army of anonymous trampers. (“Street Haunting,” 20) Am I here, or am I there? Or is the true self neither this nor that, neither here nor there, but something so varied and wandering that it is only when we give the rein to its wishes and let it take its way unimpeded that we are ourselves? (29)
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Today in an intellectualized and refined sense the citizen of the metropolis is “free” in contrast with the trivialities and prejudices which bind the small town person….It is obviously on the obverse of this freedom that, under certain circumstances, one never feels as lonely and as deserted as in this metropolitan crush of persons. For here, as elsewhere, it is by no means necessary that the freedom of man reflect itself in his emotional life only as a pleasant experience. Georg Simmel, “The Metropolis and Mental Life” (1903) To escape is the greatest of pleasures. (“Street Haunting,” 35)
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the aesthetics of the city
Let us dally a little longer, be content still with surfaces only—the glossy brilliance of the motor omnibuses; the carnal splendour of the butchers’ shops with their yellow flanks and purple steaks; the blue and red bunches
- f flowers burning so bravely through the plate glass of the florists’ win-
- dows. (23)
They do not grudge us, we are musing, our prosperity; when, suddenly, turning the corner, we come upon a bearded Jew, wild, hunger-bitten, glaring out of his misery; or pass the humped body of an old woman flung abandoned on the step of a public building. (26)
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the aesthetics of the city
Let us dally a little longer, be content still with surfaces only—the glossy brilliance of the motor omnibuses; the carnal splendour of the butchers’ shops with their yellow flanks and purple steaks; the blue and red bunches
- f flowers burning so bravely through the plate glass of the florists’ win-
- dows. (23)
They do not grudge us, we are musing, our prosperity; when, suddenly, turning the corner, we come upon a bearded Jew, wild, hunger-bitten, glaring out of his misery; or pass the humped body of an old woman flung abandoned on the step of a public building. (26)
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