Cameras Cameras photographs, you should: photographs, you should: - - PDF document

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Cameras Cameras photographs, you should: photographs, you should: - - PDF document

Cameras 1 Cameras 2 Introductory Question Introductory Question If you want to alter a cameras lens so that a If you want to alter a cameras lens so that a distant object appears larger in the distant object appears larger in the


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Cameras 1

Cameras Cameras

Cameras 2

Introductory Question Introductory Question

  • If you want to alter a camera’s lens so that a

If you want to alter a camera’s lens so that a distant object appears larger in the distant object appears larger in the photographs, you should: photographs, you should:

A. A.

increase the diameter of the lens increase the diameter of the lens

B. B.

decrease the diameter of the lens decrease the diameter of the lens

C. C.

increase the curvature of the lens increase the curvature of the lens

D. D.

decrease the curvature of the lens decrease the curvature of the lens

Cameras 3

Observations about Cameras Observations about Cameras

  • They record a scene on an image sensor

They record a scene on an image sensor

  • Good cameras need focusing, cheap ones don’t

Good cameras need focusing, cheap ones don’t

  • Many cameras have zoom lenses

Many cameras have zoom lenses

Some cameras have bigger lenses than others

Some cameras have bigger lenses than others

They have ratings like focal length and f

They have ratings like focal length and f-

  • number

number

Cameras 4

6 Questions about Cameras 6 Questions about Cameras

Why does a camera need a lens?

Why does a camera need a lens?

Why do most camera lenses need focusing?

Why do most camera lenses need focusing?

Why are lenses telephoto or wide

Why are lenses telephoto or wide-

  • angle?

angle?

Why do fancy lens’s have internal apertures?

Why do fancy lens’s have internal apertures?

Why is a good camera lens so complex inside?

Why is a good camera lens so complex inside?

How does the image sensor respond to light?

How does the image sensor respond to light?

Cameras 5

Question 1 Question 1

  • Why does a camera need a lens?

Why does a camera need a lens?

Cameras 6

Light from an Object Light from an Object

An illuminated object reflects or scatters light

An illuminated object reflects or scatters light

You see the object via reflected or scattered light

You see the object via reflected or scattered light

The object’s light produces diffuse illumination

The object’s light produces diffuse illumination

Y

n’t t ll h t th bj t l k lik fr m thi Y n’t t ll h t th bj t l k lik fr m thi

You can’t tell what the object looks like from this

You can’t tell what the object looks like from this diffuse illumination diffuse illumination

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Cameras 7

Clicker Question Clicker Question

The light rays leaving one point on a object are

The light rays leaving one point on a object are spreading when they hit a white screen. To bring spreading when they hit a white screen. To bring them together on the screen, you can use them together on the screen, you can use

A.

  • A. interference.

interference.

B.

  • B. dispersion.

dispersion.

C.

  • C. refraction.

refraction.

D.

  • D. polarization.

polarization.

Cameras 8

Converging Lenses Converging Lenses

A converging lens bends light rays via refraction

A converging lens bends light rays via refraction

Light rays that were spreading now converge

Light rays that were spreading now converge

Rays from a common point on an object converge

Rays from a common point on an object converge to a common point on the far side of the lens to a common point on the far side of the lens to a common point on the far side of the lens to a common point on the far side of the lens

Cameras 9

Real Images Real Images

An image forms in space on far side of the lens

An image forms in space on far side of the lens

The image is a pattern of light in space that exactly

The image is a pattern of light in space that exactly resembles the object, except for size and orientation resembles the object, except for size and orientation

The image is “real”

The image is “real” – you can put your hand in it you can put your hand in it

The image is real

The image is real you can put your hand in it you can put your hand in it

Cameras 10

Clicker Question Clicker Question

A magnifying glass held in sunlight forms a

A magnifying glass held in sunlight forms a round spot that can burn paper. What spot(s) round spot that can burn paper. What spot(s) will form if you hold that lens in light from the will form if you hold that lens in light from the lamps overhead? lamps overhead? lamps overhead? lamps overhead?

A.

  • A. A round spot

A round spot

B.

  • B. A square spot

A square spot

C.

  • C. Spots that look exactly like the overhead lamps

Spots that look exactly like the overhead lamps

D.

  • D. Round spots arranged like the overhead lamps

Round spots arranged like the overhead lamps

Cameras 11

Question 2 Question 2

Why do most camera lenses need focusing?

Why do most camera lenses need focusing?

Cameras 12

Lenses and Image Sensor Lenses and Image Sensor

The sensor records the pattern of light it receives

The sensor records the pattern of light it receives

If you put the sensor in a real image, it will record

If you put the sensor in a real image, it will record a pattern of light that looks just like the object a pattern of light that looks just like the object F d h h h l i h ld b F d h h h l i h ld b

For a good photograph, the real image should be

For a good photograph, the real image should be sharply focused on the image sensor and its size sharply focused on the image sensor and its size should match should match the image sensor. the image sensor.

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Cameras 13

Clicker Question Clicker Question

If you move an object closer to your camera,

If you move an object closer to your camera, you’ll have to refocus by moving the camera’s you’ll have to refocus by moving the camera’s

  • lens. The distance from lens to sensor must
  • lens. The distance from lens to sensor must

A.

  • A. decrease so the light has less room to converge.

decrease so the light has less room to converge.

B.

  • B. increase so the light has more room to converge.

increase so the light has more room to converge.

Cameras 14

Focusing Focusing

The farther the object,

The farther the object,

the less diverging its light as that light enters the lens

the less diverging its light as that light enters the lens

the more converging that light after it leaves the lens

the more converging that light after it leaves the lens

nd th n

r r t th l n th r l im f rm nd th n r r t th l n th r l im f rm

and the nearer to the lens the real image forms.

and the nearer to the lens the real image forms.

Different objects form real

Different objects form real images at different distances images at different distances from the lens. from the lens.

Lens

Lens-

  • to

to-

  • sensor distance must

sensor distance must match lens match lens-

  • to

to-

  • image distance.

image distance.

Cameras 15

Lens Diameter and Focusing Lens Diameter and Focusing

Larger lens gathers more light

Larger lens gathers more light

so the image is brighter

so the image is brighter

but focus is more critical

but focus is more critical

nd th r i l

d pth f f nd th r i l d pth f f

and there is less depth of focus.

and there is less depth of focus.

  • Smaller lens gathers less light

Smaller lens gathers less light

so the image is dimmer

so the image is dimmer

but focus is less critical

but focus is less critical

and there is more depth of focus.

and there is more depth of focus.

Cameras 16

Clicker Question Clicker Question

A disposable film camera has no focus

A disposable film camera has no focus

  • adjustment. To produce sharp photographs that
  • adjustment. To produce sharp photographs that

are properly exposed, it needs a are properly exposed, it needs a

A.

  • A. large diameter lens and low sensitivity film.

large diameter lens and low sensitivity film.

B.

  • B. small diameter lens and low sensitivity film.

small diameter lens and low sensitivity film.

C.

  • C. large diameter lens and high sensitivity film.

large diameter lens and high sensitivity film.

D.

  • D. small diameter lens and high sensitivity film.

small diameter lens and high sensitivity film.

Cameras 17

Question 3 Question 3

Why are lenses telephoto or wide

Why are lenses telephoto or wide-

  • angle?

angle?

Cameras 18

Focal Length Focal Length

Focal length measures lens’s converging ability

Focal length measures lens’s converging ability

Long focal length: weak lens, long image distance

Long focal length: weak lens, long image distance

Short focal length: strong lens, short image distance

Short focal length: strong lens, short image distance

B h

i r r t l d rib d b th l n q ti n B h i r r t l d rib d b th l n q ti n

Behavior accurately described by the lens equation:

Behavior accurately described by the lens equation:

Larger image distance, then bigger image

Larger image distance, then bigger image

Long focal length: big dim image

Long focal length: big dim image

Short focal length: small bright image

Short focal length: small bright image

1 1 1 Object distance Image distance Focal length + =

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Cameras 19

Wide Angle vs Telephoto Wide Angle vs Telephoto

Wide

Wide-

  • angle lens converges rays strongly,

angle lens converges rays strongly,

so they focus close to the lens

so they focus close to the lens

and form a bright, small image near the lens.

and form a bright, small image near the lens.

Sm ll di m t r l n

r ll d q t Sm ll di m t r l n r ll d q t

Small diameter lenses are usually adequate.

Small diameter lenses are usually adequate.

Telephoto lens converges rays weakly,

Telephoto lens converges rays weakly,

so they focus far from the lens

so they focus far from the lens

and form a dim, large image far from lens.

and form a dim, large image far from lens.

Large diameter lenses are usually necessary.

Large diameter lenses are usually necessary.

Cameras 20

Introductory Question Introductory Question (revisited)

(revisited)

  • If you want to alter a camera’s lens so that a

If you want to alter a camera’s lens so that a distant object appears larger in the distant object appears larger in the photographs, you should: photographs, you should:

A. A.

increase the diameter of the lens increase the diameter of the lens

B. B.

decrease the diameter of the lens decrease the diameter of the lens

C. C.

increase the curvature of the lens increase the curvature of the lens

D. D.

decrease the curvature of the lens decrease the curvature of the lens

Cameras 21

Question 4 Question 4

Why do fancy lenses have internal apertures?

Why do fancy lenses have internal apertures?

Cameras 22

Aperture or f Aperture or f-

  • number

number

f-

  • number is focal length over lens diameter

number is focal length over lens diameter

and characterizes the brightness of the image.

and characterizes the brightness of the image.

A large f

A large f-

  • number lens produces a dim image

number lens produces a dim image

i h l d h f fi ld/f (f i f i i ) i h l d h f fi ld/f (f i f i i )

with a large depth of field/focus (focus is forgiving).

with a large depth of field/focus (focus is forgiving).

A small f

A small f-

  • number lens produces a bright image

number lens produces a bright image

with a small depth of field/focus (focus is critical).

with a small depth of field/focus (focus is critical).

Fancy lenses have adjustable f

Fancy lenses have adjustable f-

  • numbers,

numbers,

to control both image brightness and depth of focus.

to control both image brightness and depth of focus.

Cameras 23

Question 5 Question 5

Why is a good camera lens so complex inside?

Why is a good camera lens so complex inside?

Cameras 24

Lens Flaws Lens Flaws

Dispersion

Dispersion → different colors focus differently different colors focus differently

Use low

Use low-

  • dispersion glass (fluoride glasses)

dispersion glass (fluoride glasses)

Use multi

Use multi-

  • piece lenses or “achromats”

piece lenses or “achromats”

Reflections

Reflections → fog in photographic images fog in photographic images g p g p g g p g p g

Use antireflection coatings

Use antireflection coatings

Spherical aberration

Spherical aberration → imperfect focus imperfect focus

Poor focusing off axis

Poor focusing off axis → coma distortions coma distortions

Spherical focus projected on flat film

Spherical focus projected on flat film → Astigmatism Astigmatism

Use aspheric lenses

Use aspheric lenses

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Cameras 25

Zoom Lenses Zoom Lenses

A zoom lens typically has three images overall

A zoom lens typically has three images overall

Its first lens group produces the first image

Its first lens group produces the first image

Its second and third lens

Its second and third lens j i d j i d groups project a resized groups project a resized real image onto the real image onto the image sensor. image sensor.

Cameras 26

Question 6 Question 6

How does the image sensor respond to light?

How does the image sensor respond to light?

Cameras 27

Black and White Film Black and White Film

  • Light exposure creates a latent image

Light exposure creates a latent image

Silver bromide grains absorb photons (a silver salt)

Silver bromide grains absorb photons (a silver salt)

Photon energy separates salt into silver and bromine

Photon energy separates salt into silver and bromine

If

4 t il l t f If 4 t il l t f → i ill d l p i ill d l p

If a 4 atom silver cluster forms

If a 4 atom silver cluster forms → grain will develop grain will develop

Gold sensitization lowers threshold to 2 silver atoms

Gold sensitization lowers threshold to 2 silver atoms

Development turns exposed salt grains to silver

Development turns exposed salt grains to silver

Silver particle is misshapen and appears black

Silver particle is misshapen and appears black

Film forms a negative image of exposing object

Film forms a negative image of exposing object

Cameras 28

Color Film Color Film

Sensitizers and filters yield three latent images

Sensitizers and filters yield three latent images

Sensitizers and filters are built into the film

Sensitizers and filters are built into the film

Latent images are sandwiched together in the film

Latent images are sandwiched together in the film

L

r r rd r d r n nd bl li ht r p ti l L r r rd r d r n nd bl li ht r p ti l

Layers record red, green, and blue light respectively

Layers record red, green, and blue light respectively

During development, colored dyes are produced

During development, colored dyes are produced

Spent developer causes dye molecules to form

Spent developer causes dye molecules to form

Red : cyan, blue :

Red : cyan, blue : yellow, green : magenta yellow, green : magenta

Dyes form a negative image of exposing object

Dyes form a negative image of exposing object

Cameras 29

Digital Cameras Digital Cameras

Instead of film, use CCD imaging chip

Instead of film, use CCD imaging chip

Chip is divided into tiny squares or pixels

Chip is divided into tiny squares or pixels

Each photon causes a charge transfer in its pixel

Each photon causes a charge transfer in its pixel

After exposure, the pixels retain a charge image

After exposure, the pixels retain a charge image

Charge is shifted out of pixels using MOSFETs

Charge is shifted out of pixels using MOSFETs

Camera obtains and saves image

Camera obtains and saves image

Cameras 30

Summary about Cameras Summary about Cameras

They use converging lenses to form real images

They use converging lenses to form real images

Lens focal length sets image size

Lens focal length sets image size

Lens f

Lens f-

  • number sets image brightness

number sets image brightness

The image sensor records the pattern of light

The image sensor records the pattern of light