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Lecturer: Rob van der Willigen 11/9/08 Auditory Perception - Detection versus Discrimination - Localization versus Discrimination - Electrophysiological Measurements - Psychophysical Measurements 1 Lecturer: Rob van der Willigen


  1. Lecturer: Rob van der Willigen 11/9/08 Auditory Perception - Detection versus Discrimination - Localization versus Discrimination - Electrophysiological Measurements - Psychophysical Measurements 1

  2. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Three Approaches to Researching Audition physiology psychophysics cognitive psychology 2

  3. Lecturer: Rob van der Willigen 11/9/08 The study of Auditory Perception or Psychoacoustics is a branch of Psychophysics. Understanding psychophysical methodology and its underlying theory Psychophysics studies relationships between perception and physical properties of stimuli. 3

  4. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Modern Conception of the Neurosciences Body / Mind Problem Physical Dimensions: Fundamental measures of a physical stimulus that can be Stimulus Perception Mind/Body problem Neural activity detected with an instrument (e.g., a light meter, a sound level meter, a spectrum analyzer, a fundamental frequency meter, etc.). Neurophysiology Inner psychophysics Perceptual Dimensions: outer psychophysics These are the mental experiences that occur inside the mind of the observer. These experiences are actively created by the sensory system and brain based on an analysis of the physical properties of the stimulus. Perceptual dimensions can be measured, but not with a meter. Measuring perceptual dimensions requires an observer. 4

  5. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Modern Conception of Perception Perception Two Phases in Perception : Sensory - Decision Perception subjective Can be measured objectively 5

  6. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Sensation versus Perception “Elemente der Psychophysik”: basic phenomena Bottom-Up Processing (sensation) Basic results from a simple detection task: Analysis that begins with the sense receptors and Sound stimulus is heard only beyond certain intensity level works up to the brain’s integration of sensory Information. Different people started to hear the stimulus at different levels Top-Down Processing (perception) The same subjects hear the same stimulus level sometimes and sometimes not Information processing guided by higher level The number of people who hear the stimulus increases with intensity level processes as when we construct perceptions drawing on our experience and expectation. 6

  7. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics “Elemente der Psychophysik”: basic phenomena “Elemente der Psychophysik”: basic phenomena Detection task Discrimination task Verbal Motor (i.e., non-verbal) Identification task Yes / No Pointing (Recognition task) Up / Down Direction of gaze Left / Right Manipulandum adjustment Localization task Loud / Faint Scaling task Each task represents a different perceptual problem Each response type influences perception differently 7

  8. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics “Elemente der Psychophysik”: Interpretation Conception of Modern Psychophysics Physical dimensions of the stimulus influence detectability Psychophysics aims for the objectification of subjective experience Stimulus versus Perception It requires a theory about detection and discrimination This should produce a function that maps stimulus strength onto “sensation” strength. Is a Non-trivial relationship has a Probabilistic Nature Is a highly subjective relationship 8

  9. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Modern Psychophysics: two basic approaches Elemente der Psychophysik: basic idea Thresholds: Measuring limits of sensitivity Gustav Theodor Fechner (1860): His basic idea is that when P a,b represents the probability that stimulus a is Scaling: Ordering and distributing stimuli along perceived as exceeding stimulus b than a perceptual dimension P a,b only depends on the difference u(a) – u(b), were u is some unknown sensory scale i.e., a measure of perception. Can be direct or indirect. F is a monotonically increasing function. 9

  10. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics A function for detection: the PMF A function for detection: the PMF Consider the probability P b (a) that stimulus a is jugged as exceeding b . The psychometric function Can also be denoted as P(b ≤ a). provides an answer to both P b (a) P b (a) The plot shows a somewhat idealized the measurement of (1) a graph of function P b (a) . threshold and (2) the aim to Note that the equation for P b (a) order and distribute stimulus generalizes to that of Fechner: level along a perceptual dimension when g is transformed appropriately to scaling factor u F represents a cumulative distribution function (CDF), or distribution function. The sigmoid curve defined by function F is called The sigmoid curve defined by function F is called the Psychometric Function (PMF). the Psychometric Function (PMF). 10

  11. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Psychophysics requires a Concept of Threshold Psychophysics requires a Concept of Threshold Probability heard Ideally “reliable” detection should occur The notion of threshold seems straightforward, on the surface at the a single stimulus magnitude at least; indeed, one could define it as: below which detection is not possible. In actual effect, as already predicted by “The smallest stimulus level that can be reliably perceived”. Fechner, perception acts as in a probabilistic fashion increasing However, this definition of threshold is arbitrary and solely monotonically with stimulus magnitude defined in terms of level of performance. (i.e., level). Probability heard By definition if performance ranges from zero to 1 (or 100% detected) than threshold is defined as the stimulus level coinciding with 50% detected. 11

  12. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Psychophysics requires a Concept of Threshold Psychophysics requires a Concept of Threshold Defining threshold relatively: Determining a threshold for detecting sound by use of a detection experiment determines what is called a Absolute threshold. Just noticeable difference (JND): Note however, because of the arbitrary nature of defining Minimal physical change of the stimulus level such that threshold in terms of response level it has not much value in absolute terms. change in response behavior is reported. Also note that threshold cannot be a fixed quantity because of the very nature of human and animal Point of subjective equivalence (PSE): physiology; think for example of adaptation which acts as a gain allowing detection along a wider physical range of Physical strength of the stimulus that is perceived as equally stimulus level with the same sensors. strong as reference. A more logical approach is to define threshold in relative terms. 12

  13. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Psychophysics requires a Measurement Scale Psychophysics requires a Measurement Scale Measurement seems straightforward, on the surface at least; Stevens (1946) proposed four classes of scales indeed, all measurements can be reduced to just two that are still used: components: number and unit. nominal However, measurement depends on a quite a number of ordinal implicit assumptions about physical reality and it also involves a considerable amount of arbitrariness. interval ratio 13

  14. Lecturer: Rob van der Willigen 11/9/08 Psychoacoustics Psychoacoustics Psychophysics requires a Measurement Scale Measurement Scales Nominal Scale Norman Robert Campbell was a scholar renowned internationally for his rigorous analysis of the foundations of physical measurement. In 1933 and 1935 he anticipated ideas that are used today for the classification A nominal scale requires placing of data into categories of sensory scales and for non-metric scaling. without any order or structure. A physical example of a nominal scale is the terms we use for colors. The underlying spectrum is ordered but the names are nominal. Campbell’s 1933 and 1935 articles have been neglected or have been unknown by virtually every psychophysicist. In psychophysics a YES/NO scale is nominal. No mention of these articles can be found in subsequent important It has no order and there is no distance between YES and NO. books and reviews of psychophysics. Except for Stanley Smith Stevens, (1946): On the theory of scales of measurement. Science, 103, 677-679. 14

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