Anthology of Poetry from Coln 1900- 2012 Lecture by Dr. Luis Wong - - PowerPoint PPT Presentation

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Anthology of Poetry from Coln 1900- 2012 Lecture by Dr. Luis Wong - - PowerPoint PPT Presentation

Cultural and Literary links between Panama and Jamaica and their presence in the Anthology of Poetry from Coln 1900- 2012 Lecture by Dr. Luis Wong Vega, Panamanian poet (from Coln) University of the West Indies, Mona Campus,


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Cultural and Literary links between Panama and Jamaica and their presence in the “Anthology of Poetry from Colón 1900-2012”

Lecture by Dr. Luis Wong Vega, Panamanian poet (from Colón) University of the West Indies, Mona Campus, Kingston, Jamaica October 25th, 2012.

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 Panamá is physically located in Central

America, between Costa Rica and Colombia, although historically and culturally, Panamá has always been closer to the Caribbean and South America.

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 Panama is a multicultural country with

distinct communities, each with a historical role in the country's development.

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 The culture and traditions

  • f Panama's indigenous

people, Colonial African slaves and Spanish settlers and the immigrants that helped to build the isthmian railroad first and the canal after (Chinese, West Indians, Europeans) co-exist within each region of Panama.

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 Panamá is the gathering point for different

cultures and ethniae.

 It has been and it still is an actual and

fluid racial melting pot, with around 3.3 million inhabitants.

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 Of these, about 10% have declared

themselves to be Afrodescendats (2010 Census), most likely an underestimated figure.

 Our of that percentage, more than a half are

  • f West Indian ancestry.
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 Afrodescendants came to Panama in

three main waves: the first one, during the Spanish colonization of the Isthmus (from 1502 to 1821) due to slavery.

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 The second one, along

the 1800’s (early and late), as work force for the banana and sugar plantations.

 This human mass was

integrated by West Indians (mostly by Jamaicans and Barbadians)

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  • The third (and the larger one), during the

construction of the Panamanian railroad (mid 1850’s) and, mostly, during the construction

  • f the Panama Canal (1903-1914).
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Cultural influence of Jamaica in Panama

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 Many West Indians and their descendants remained

after completion of the Canal as workers in the Canal

  • Zone. Many stayed in the country and added their

culture to that of Panama while others returned to the islands or emigrated to the United States.

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 During the construction

  • f the Panama Canal,

West Indians created their own institutions in the Canal Zone from community associations to businesses, publishing houses, and schools in addition to the public school provided by the Canal authorities.

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 West Indian schools

were renowned in the area and better than the Zone operated public schools.

 So much so that

many local Panamanian pupils paid to attend them.

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 Jamaican National Hero

Marcus Garvey lived and worked in Panama for a newspaper in Colón and later played a part in helping the labor

  • rganization in the area

via the United Negro Improvement Association (UNIA) in the late 1910s and 1920s.

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 Examples of Jamaican presence in Panama’s culture

are many, but one of the most notorious is the impact

  • f the Jamaican Creole language on both the Spanish

and the English languages spoken in the Caribbean part of Panama, up to date.

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 The shift from homogeneity to variety in the study of language

has contributed to the development of sociolinguistics. This shift has also fomented the ranks of specialists in Creóle languages, a confirmed province of this science… Of these, the Jamaican dialect extended to Panamá has been a poor relation, despite its vigorous presence and special characteristics: it has thrived on the Isthmus of Panamá since 1820 where, over the years, fresh waves of West Indian native speakers have contributed to give rise to Isthmian dialects. These offshoots of Jamaican Creóle have been in close contact with other Caribbean Creóles (whether English- or French-based); with Spanish, the dominant and official language, and with American English. Scientific interest in Panamanian Creóle English has dawned late and there is still much to be done.

The English Creóle Spoken in Panamá,

by Martin Jamieson. Revista Alicantina de Estudios Ingleses 6 (1993): 219-221

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 West Indian cuisine

is very present in the cities of Colón, Bocas and Panamá.

 Much of this cuisine

is Jamaican and, in a lesser degree, Barbadian and Trinidadian.

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 Religion in the Panamanian Caribbean coast has

strong presence of the religions brought by West Indians (i.e. The Anglican faith). And specifically from Jamaica, Panamá has had the permanent presence

  • f the Rastafarian religion.
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 Panamanian Caribbean

popular music is very much West Indian.

 Both Calypso and Reggae

music have strong followers in Panamá.

 Spanish Reggaeton (or

Reggae in Spanish) was born in Colón, Panama.

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 Poetry is another area where

we can find the presence of Jamaica in Panamá (and viceversa), especially in my hometown, Colón.

 We can find several

examples in our book, the “Anthology of Colonense Poetry 1900-2012”.

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Colón and our Anthology

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 Colón is a province of Panama, in the Caribbean

side of the country. The capital is the city of Colón.

 This province has traditionally been focused in

commerce (through the Colón Free Zone, Panama Canal and its banking activities), but also has natural resources that are being developed as tourist attraction, such as coral reefs and rainforests.

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 Most of the black population in Panama

is centered in the Province of Colón.

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 We are a group of poets from Colón, named

“Contemporary Colonense Poetry”.

 We have been active for more than 30 years

and the members of our group have published about 20 poetry books, booklets, pamphlets, etc.

 We even have some of our books listed in the

Library of Congress collection.

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Our website has had almost one million hits so far. Our web address is: http://poesiacolonensecontemporanea.webnode.es

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 This book has been prepared by three colonense

poets: Luis Wong Vega, Orlando Segura Johnson and Winston Churchill James Jordan.

 Mr. James is a West Indian descendant. Mr. Segura

is of Afro-colonial background.

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 This book has been published by the

Universidad Católica Santa María La Antigua (USMA, the Catholic University of Panamá), trough its publishing house, the Editorial La Antigua, directed by Prof. Ariel Barría.

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 After almost a year of

research, analyses and editing, the product of this effort is a book that contains works of 43 colonense poets, more than150 poems, with most poems in Spanish but also five poets writing in English.

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 Technical fiche…

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List of Poets selected…

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 Out of the 43 in total, 7 are Spanish teachers,

2 English teachers and 1 a French language teacher.

 These poets come from very different

professional backgrounds: we have a Jesuit priest, a Ship’s Captain, Biologists, Sociologists, Mathematicians, Nurses, Lawyers, Accountants, Engineers, Painters, Actors and so on…

 Only 5 of them could be considered as

professional writers.

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 11 out of 43 are women.  Most of them are over 40 y/o.  11 have passed away.  Only 11 out of the 32 alive, still live in

Colón permanently.

 6 live abroad.  16 out of 43 consider themselves as

Afrodescendants (Blacks).

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 The first documented poets

who lived and wrote poetry in Colón, were all foreigners:

  • Tracy Robinson, an

american who arrived to the city in 1861, to work in the construction of the railroad;

  • Antonio Olivo Pino,

colombian, who arrived by mid 1880’s and

  • James Stanley Gilbert,

american, who arrived to Colón by mid 1890’s y died in the city in 1906.

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 Tracy Robinson

published what we belive was the first poetry book ever written in Colón: “Songs of the Palm and other tropical poems…”, published by The Star & Herald Company in 1866..

 The photo shows a

copy of this book, preserved at the library of the University of California at Irvine.

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 Antonio Olivo Pino

authored what we believe was the first poetry book published in Spanish in Colón: “La Musa Colombiana” (the Colombian Muse).

 Was printed at the “El

Istmo” printing house, in Colón, in 1888.

 We show here a photo

  • f this book, from the

Biblioteca Nacional de Colombia.

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 In 1905, The Star &

Herald Company published in Colón the first edition of the book by James Stanley Gilbert: “Panama’s Patchwork”.

 Gilbert was a full time

poet, who held regular literary meetings in his residence (Gilbert House).

 Here’s a photo of this

book, furnished by the library of Princeton University.

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 Afro-Panamanian and Colonense poets

  • f Afro-colonial descent…
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 The first black

colonense poet listed in this book was Mr. José María Vásquez, a self- thaugt poet, born in 1900. He wrote two books, both in Spanish.

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 Father Luis Carlos

Toro, S.J. lives in El Salvador.

 His poetry is centered

  • n social justice issues

since he was a member of the Theology of Liberation movement.

 He writes in Spanish.

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 Ubaldo del Cid is a

Spanish language teacher.

 He wirtes short

stories, drama plays and he is a song writer.

 He has published

two poetry books, both in Spanish.

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 Emérito Rodríguez

Ayarza is a Geological Engineer, who studied in the former Soviet Union.

 He has written

about six poetry books, in Spanish.

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 Prof. Orlando Segura

Johnson is a college Spanish teacher.

 He has published two

poetry books, both in Spanish.

 He is one of the co-

authors of this Anthology.

 He is of Jamaican and

Afrocolonial descent.

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 Creescenciano

Vásquez is a Religion, Moral and Ethics teacher.

 He has published 4

poetry books and his main subject are History and patriotic themes.

 He writes in Spanish

and is of Afrocolonial descent.

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 Boris Nolis Góndola is

also of Afrocolonial descent.

 He has published

more of a dozen books (poetry, short stories, assays) centered on matters

  • f the Congo culture

(Panama’s afrocolonial blacks).

 He writes in Spanish.

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 Afro-Panamanian and Colonense poets

  • f West-Indian descent…
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 The first black

colonense woman poet was Bárbara Michel, a long time Spanish teacher.

 She wrote her

poetry in Spanish and her favorte subject had always been the city of Colón itself.

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 Another interesting

poet is Alfred Rowe Tutú.

 He was a French

language teacher.

 He migrated to the US

more than 30 years ago.

 He is, still, an activist

for social and racial issues.

 He wrote his poetry

both in Spanish and English.

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 Winston Churchill James is a

lawyer.

 He was one of the first black

Panamanian poets to adhere to the “Négritude” literary and ideological movement.

 His poetry has two main subjects:

existencialism and eroticism.

 He writes both in Spanish and

English and he is one of the co- authors of this Anthology.

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 Aldo Young is a

Naval Captain who works as a pilot for the Panama Canal Authority.

 Young’s poetry is

mostly lyrical and its written in Spanish.

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 Delia Adassa

McDonald Woolery was born in Colón, from West Indian parents, but moved to Costa Rica during her early youth.

 She is of a well know

poet due to her work

  • n women and black

culture issues.

 She writes poetry in

Spanish.

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 Among the newest

bards in Colón is Kafú Banton, a well know reggae singer, song- writer and poet.

 He writes and sings

both en Spanish and English.

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 The youngest poet listed in

  • ur Anthology is Yvette

Modestin.

 She is a psychologist and a

social worker, who went to Boston to pursue her degree but has stayed living and working there.

 She writes poetry in

English.

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 A very famous poet both

Panamanian (Colón born) and Jamaican was George Campell.

 As you know, his poetry

has had much importance in modern Jamaican literature.

 The Rt. Excellent Norman

Washington Manley, the co-founder of the Jamaica nation, dubbed Campbell "Poet of the Revolution."

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 Another famous

Panamanian (Colón born)and Jamaican poet was Andrew Felix Salkey.

 Salkey’s poetry has

been translated to Spanish and through his relationship with Casa de Las Américas in Cuba, some his work has been know in Latin America.

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 Even though she is not

included in our Anthology, we just found out about the existance of another Jamaican poet of Panamanian background: Juliet Christie Murray, who was born in Lucea, Hanover, Jamaica 1950, the elder of two children of a Panamanian mother.

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 We believe that this book represents a singular

showcase of diverse and disimile socio-cultural and aesthetic forms and concepts and that it summarizes, in a singular testimonial document, the interesting diversity of poets and poems that integrate the Parnassus of the most important city of Panama´s Caribbean coast. Qualitatively uneven but always very much valuable, varied and interesting, just as the facts and things of life itself…

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 This Anthology shows that Colón has produced

people who love poetry and that take poetry very seriously.

 We believe that the selection shown here includes

many poetic works of singular mastership and beauty, produced by Colonense men and women along the last eleven decades… by authentic poets...

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Opinions…

Nos quedamos con algunas valoraciones sobre el libro, por parte de quienes ya lo han leído::

“Hermoso documento histórico y poético…” Lucy Cristina Chau (Premio Ricardo Miró en Poesía).

“Apenas recibí el ejemplar de la Antología escribí : Acabo de recibir un libro que me ha dejado azul, abrumado, sin aliento, como si fuera lunes… Sin duda un libro diferente, riquísimo, generoso. Era un libro necesario para entendernos como lo que en realidad somos. Admirable trabajo…”. Benjamín Ramón (poeta y promotor cultural).

“Es la primera obra de esa magnitud de la que se tiene conocimiento, por lo que se convierte en pionera en este tipo de acción, y en el caso de la centuria poética que presenta, en una respuesta contundente al desconocimiento y a la desvalorización de las aportaciones de los bardos colonenses. Desde luego también, es un reconocimiento a los trovadores que han mantenido viva la poesía en Colón, porque la conciencia social no se genera por espontaneidad, sino que ella está en íntima vinculación con las acciones valiosas de los hombres…” Jorge Luis Macías (académico e historiador).

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Sección Mosaico, Página 8B, 09/09/2012

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