[PPT] - 12 T H E A G E O F I N N O C E N C E O N C E L O S PowerPoint Presentation

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O N C E L O S T S TA R

T H E A G E O F I N N O C E N C E

12

LECTURE ESSAY PLANNING

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A ) E S S A Y Q U E S T I O N b ) P A S S A g E - B A S E D

T H E A G E O F I N N O C E N C E CHOOSE FROM THE TWO OPTIONS WISELy

BOTH REQUIRE MASTERY OF THE WHOLE TEXT
THE PASSAGE WILL BE TAKEN FROM CH 13-30

JC1

PROMO EXAM

SLIDE 3 HOW FAR DO YOU AGREE THIS COMMENT? ‘THE MAIN CONCERN OF THE NOVEL IS ARCHER’S

REALISATION

OF HIS PLACE

IN SOCIETY . ’

QUESTION

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R E A L I S A T I O N

A R C H E R ’ S

What words, ideas and concerns come to mind? CONCEPTS

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HIS PLACE

I N S O C I E T Y What words, ideas and concerns come to mind? CONCEPTS

SLIDE 6 ANALYSIS

STAND

E M P H A S I S I S O N H O W A N D W H Y BUT ONE CANNOT AVOID DISCUSSING ARCHER’s REALISATION BALANCE IS NOT NECESSARY

YOU R

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IGNORANCE

DISAFFECTION

RECOGNITION REJECTION

CONTENTMENT

SPLIT ‘ARCHER’S REALISATION’ INTO MULTIPLE STAGES CONCERNS

SLIDE 8 REALISATION OF HIS PLACE OUR ESSAY CAN FOLLOW A RELATIVELY LINEAR PROGRESSION ESSAY STRUCTURE

34 1

C H C H

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METHODS CONCERN

S E LEC T O N E FRO M TH E OVE RVIE W TA BLE R E LEVA N T TO T H E ‘I D E A ’ YOU A RE A SSIGNE D S E LEC T 1 -3 B R OA D T HAT MATC H t H E ‘CO N C E R N ’ ONC E YO U A R E SAT I S F IED W ITH YOUR CH OICE O K MAY BE S E LEC T ONLY ONE

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IGNORANCE

T O WA R D S S O C I A L E X P E C TAT I O N S ‘ O PE R A N I GH T ’

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DISENCHANTMENT

1T01-1T02 W I T H M A N N E R S A N D C O D E S O F S O C I E T Y ‘ARCHER’S DILEMMA’

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RECOGNITION

1T03-07 O F H I S D U T Y T O M A Y A N D FA M I LY ‘ T HE NEW LY WE DS ’

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REJECTION

1T08-23 O F S O C I E T Y + E S C A P E ‘ O NLY L IVING BOY I N N EW YO RK ’

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CONTENTMENT

1T27-34 W I T H H I S ‘ D U L L D U T Y ’ ‘ O, BR AVE N EW L A N D ’

SLIDE 15

LOST

STARS

BUTARE

WEALL

AN ESSAY FOCUS ON SKILLS

4

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CITADEL

‘ T I G H T L I T T L E ’ ANALYSIS OF OLD NEW YORK’S DEFICIENCIES THE NOVEL STARTS AS AN OTHER CONCERN

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EVOLUTION

F R O M Y O U T H T O A D U L T IGNORANCE > AWARENESS | CYNICISM > CONTENTMENT MAIN CONCERN

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FANTASY

T O W A R D S R E A L I T Y R E C O V E R Y F R O M OTHER CONCERN ANOTHER DIMENSION TO ARCHER’S GROWTH

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HAPPINESS

A L I M I T E D I N SECURITY, HONOUR AND LOYALTY PERSONAL RESPONSE / THESIS O N E M I G H T F I N D

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HOW

WHY

WHAT

PARAGRAPH STRUCTURE A R C H E R A S ‘bL IND FOLLOW ER’ MET H O DS TO S H OW ‘BLIND FOLLOW ING’ W I T H A M P L E QUOTATION T H E J O U R N EY BEG I N S F R OM ‘BLINDNE SS’ A N D E N DS O N A S ECURE ‘FOLLOW ING’ ToPic Sentence BULK UP YOUR PARAGRAPH!!! ELABORATE ON ‘WHAT’

4

SLIDE 21

‘YOUNG MAN’

HOW

NARRATOR

REPEATEDLY REFERS TO ARCHER AS A ‘CONTENT’, ’ACCEPT’, ‘SEEMED NATURAL’

BLISSFULLY IGNORANT

THE

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PARALLEL

HOW S I L L E R T O N J A C K S O N ‘HE FELT AS OLD SILLERTON JACKSON FELT’ DEEMS ELLEN ‘AWFUL’, ‘OFFENCE AGAINST TASTE’

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TRIBE

A L L U S I O N S T O T H E

N E W Y O R K E R

HIS OWN KIND

ALLY HIMSELF WITH

NEWLAND ARCHER

HOW

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RETURN

W HAT I S T H E P U R P O S E O F P R E S E N T I N G H I M A S A ‘ B L I N D ’ FO L LO W E R AT F I R S T ? TENTATIVENESS ARCHER’S PLACE IS NOT YET ‘STABLE’ WITH A TRUE REALISATION OF HIS PLACE VENTURE COMPREHEND WHY

SLIDE 25 A LWA Y S C I T E AVOIDING NARRATION E X P L I C I T LY R E F E R T O M E T H O D S : C O M M E N T O N

EVIDENCE PERSPECTIVE

WORD PATTERNS

E.G. ‘THE NARRATOR USES WORDS LINKED TO TRADITION’

EFFECTS

O F S P EC I F I C WO R DS E.G. ‘THE WORD ‘SANK’ CONNOTES HIS DISAPPOINTMENT’

SLIDE 26 shivered a lile shiver of foreboding his heart sank

NEGATIVE EMOTION

T H E N A R R ATO R U S E S T H E L E X I S O F HOW

5

SLIDE 27 HOW

RHETORICAL QUESTIONS

A R C H E R ’ S T H O U G H TS What would become of this narrow margin of life in which his real experiences were lived? What if "niceness" carried to that supreme degree were only a negation, the curtain dropped before an emptiness? CONVEY H I S D R E AD OF T H E FU T U R E

SLIDE 28 HOW

ARCHER’S THOUGHTS

sudden elaborate exasperation futility filled

E X P R E S S HIS D ISI L LU S I O N M E N T intensifiers NOUNS

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NEW YORK

WHY I T N OW F E E L S ‘ S M A L L A N D D I S TA N T ’ A R C H E R ‘O B J EC T I V E LY ’ A N A LYS E S

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MARRIAGE

WHAT A S A ‘ B U R I E D L I F E ’

5

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SON-IN-LAW

STAYING RELEVANT R ECO G N I S I N G H IS DUT Y ST R I V E S TO E S CA PE H IS R OLE AG G R I EV E D V I EW OF OBLIGATIONS L I F E H E WA S E X P ECTED TO LE A D L AC K OF F R E E D OM I N H I S S OC I A L D UT I E S RE SI GN AT I O N TO BE I N G ‘CH A INE D’ TO TH E M T H E S E T R I F L E S A RE OVE RP OW ERING H I S N EW L I F E I S ‘U N R E A L A ND IRRE LEVA NT’ H I S SYST E M AT I S E D A N D A F F LUE NT E X ISTE NCE D RI F T I N G AWAY F R O M HIS S OCIA L PERIMETE R WE ARE KEEPING TO THE SAME CONCERN! A R C H E R ’ S R O L E A S

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ANIMAL TRAPPED

HOW BY FA MI LY / S OC I AL C U STOMS

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SETTING

HOW S U F F O C A T E D B Y T H E O F T H E W E L L A N D S ’ H O U S E ‘WHOLE CHAIN OF TYRANNICAL TRIFLES BINDING ONE HOUR TO THE NEXT’ H E AV Y CA RPETS WATCHFU L SERVANTS DIS CIPLIN E D CLO CKS P RI S O N M OT I F

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VISIONS AND REALITIES

CONFUSION OF HOW & WHY ARCHER’s REAL EXISTENCE BECOMES ‘UNREAL AND IRRELEVANT’ HIS VISION OF ELLEN DISPLACES IT AS HE FLIES AWAY FROM HIS SOCIAL CIRCLE

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ELLEN

C H A S I N G

REPUDIATION OF HIS DUTY TO MAY

6

WHAT COINCIDES WITH

PRESENTATION OF ARCHER’S DECEPTION
HIS VISION THROUGH DIRECT DISCOURSE

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METHOD

STEPS FOR ANALYSIS THE NARRATOR INFORMS US OF HIS LIES…

EVIDENCE

‘FURNISHING DETAILS WITH ALL LAWRENCE LEFFERTS’ PRACTISED GLIBNESS’

CLOSE ANALYSIS

‘FURNISHING’, ‘GLIBNESS’ CARRY DISAPPROVING TONE

PURPOSE

TO PORTRAY THE PATHETIC, CHILDISH NATURE OF ARCHER’S AVOIDANCE OF HIS PLACE IN SOCIETY

SLIDE 37

METHODS

STEPS FOR ANALYSIS (2) HE PROCLAIMS… (USE OF DIRECT DISCOURSE)

EVIDENCE

‘I WANT—I WANT SOMEHOW TO GET AWAY WITH YOU INTO A WORLD WHERE WORDS LIKE THAT.. WON’T EXIST… WHERE WE SHALL BE SIMPLY… NOTHING ELSE ON EARTH WILL MATTER.’

CLOSE ANALYSIS

REPETITION OF ‘I WANT’, ’SOMEHOW’, ‘NOTHING ELSE’ ALL EVOKE AN AIR OF DESPERATION (EFFECT).

PURPOSE

THE ABOVE REFLECTS THE GREATEST DISTANCE YET BETWEEN OUR YOUNG PROTAGONIST AND THE REALITY OF ‘HIS PLACE’

SLIDE 38

MARRIAGE

WHAT A R E M I N D E R A B O U T MEDORA MANSON (CH 17) CATHERINE MINGOTT (CH 30) MAY WELLAND (CH 28) T H E T I E S T HAT B I N D

SLIDE 39 STEPS FOR ANALYSIS (3)

METHOD

3 DIFFERENT PERSPECTIVES (DIRECT DISCOURSE)

EVIDENCE

‘AFTER ALL, MARRIAGE IS MARRIAGE’ (132, 247) ‘AFTER ALL, HER DUTY IS WITH HER HUSBAND’ (226)

CLOSE ANALYSIS

RESIGNED TONE IN THE REPEATED PHRASE ‘AFTER ALL’

PURPOSE

INDIRECTLY OR DIRECTLY REMIND ARCHER ABOUT HIS ‘UNESCAPABLE DUTY’ TO MAY AND BY EXTENSION, THE ROLE HE HAS TO PLAY.

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REALISATION

7

T R U E WHAT I N T H E F I N AL CH A PTER

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REFLECTS

HOW A N O L D E R A R C H E R U P O N T H E 2 6 Y E A R S C H A N G E I N TO N E TO E N L I G H T E N E D F U L F I L M E N T I N H I S ‘ D I G N I T Y ’ , ‘ H O N O U R ’ , ‘ P R I D E ’ , ’ G O O D ’

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ELLEN

T H E V I S I O N O F O N C E M O R E A R C H E R SYM B O L I CA L LY I S ‘ R O OT E D ’ I N R E A L I T Y A N D WA L KS BAC K TO H I S P L AC E I N S O C I E T Y HOW

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DESTINY

WHY A R C H E R F U L F I L S H I S A DESTINY OF ‘SAMENESS’ AND ‘TRADITION’

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JOURNEY

CONCLUSION A S I L L Y B O Y N O M O R E T O W A R D S

SELF-REALISATION

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O N C E

F I N A L L Y

LOST FOUND

T H E LO S T S O N I S A L I V E A G A I N LUKE 15:32