Section 3a: Early auditory system (an extended LSI example) 2 3 4 - - PDF document

section 3a early auditory system an extended lsi example
SMART_READER_LITE
LIVE PREVIEW

Section 3a: Early auditory system (an extended LSI example) 2 3 4 - - PDF document

1 Mathematical Tools for Neural and Cognitive Science Fall semester, 2018 Section 3a: Early auditory system (an extended LSI example) 2 3 4 5 6 7 8 9 10 400 Hz 4000 Hz 11 12 13 14 15 16 Critical Bands Loudness summation


slide-1
SLIDE 1

Mathematical Tools for Neural and Cognitive Science Fall semester, 2018

Section 3a: Early auditory system (an extended LSI example)

1 2 3

slide-2
SLIDE 2

4 5 6

slide-3
SLIDE 3

7 8 9

slide-4
SLIDE 4

4000 Hz 400 Hz

10 11 12

slide-5
SLIDE 5

13 14 15

slide-6
SLIDE 6

Critical Bands

  • Loudness summation
  • Critical band masking

16

“Designing” Filters

x(t) y(t) input x(t)

  • utput

y(t) R C I= (x - y)/R I = C dy/dt

y(t) =VC = 1 C I dt

  • r

I = C dVC dt

x(t)− y(t) =VR = IR x − y = RC dy dt = τ dy dt For x = 0, solutions have the form y = Ae −t/τ

17

“Designing” Filters

x(t) y(t)

10

−1

10 10

1

−20 −15 −10 −5 Frequency ω, radians per second Frequency response of RC low−pass filter: log−log Bode plot Gain magnitude, dB 3 dB corner asymptotic slope −6 dB/octave magnitude −90 −45 Phase, degrees phase

H(ω) = 1 iτω +1 18

slide-7
SLIDE 7

Cascaded or Gamma Filters

y ∝t n−1e −t/τ H(ω) = 1 iωτ +1 ⎛ ⎝ ⎜ ⎞ ⎠ ⎟

n

10 20 30 40 50 0.02 0.04 0.06 0.08 0.1 0.12 0.14 0.16 0.18 0.2 N = 1 N = 2 N = 3 N = 4 Gamma distributions of different orders, fixed β = 0.2 x P(x)

19

Gammatone Filters

y ∝t n−1e −t/τ cos ωt −φ

( )

10 20 30 40 50 60 −0.05 −0.04 −0.03 −0.02 −0.01 0.01 0.02 0.03 0.04 0.05 gamma−distribution envelope γ = 0.2 ωR = 1 N = 4 Cosine and sine gammatone impulse responses time Response amplitude

20

Speech Spectrogram

21

slide-8
SLIDE 8

Cochleogram

time (samples at 22 kHz) channel number 200 400 600 800 1000 1200 1400 1600 10 20 30 40 50 60 70

22

Example – Bass/Treble filters

Low-pass or Bass Filter High-pass or Treble Filter Miles Davis “Half Nelson” Bass only: Treble only: Time Signal Frequency content Filter Next Prev

23

Low-pass or Bass Filter High-pass or Treble Filter Miles Davis “Half Nelson” Bass only: Treble only: Time Signal Frequency content Filter Next Prev

Example – Bass/Treble filters

24

slide-9
SLIDE 9

Low-pass or Bass Filter High-pass or Treble Filter Miles Davis “Half Nelson” Bass only: Treble only: Time Signal Frequency content Filter Next Prev

Example – Bass/Treble filters

25

Low-pass or Bass Filter High-pass or Treble Filter Miles Davis “Half Nelson” Bass only: Treble only: Time Signal Frequency content Filter Next Prev

Example – Bass/Treble filters

26

Fourier spectrum representation of sound

Period

27

slide-10
SLIDE 10

This works for all “musical sounds”

0.5 1 1.5 2 2.5 400 800 1200 1600 2000 0.5 1 1.5 2 2.5 400 800 1200 1600 2000

Frequency (Hz) Frequency (Hz)

28

Fundamental frequency and harmonics

29

Standing waves in a vibrating string

30

slide-11
SLIDE 11

Flute (open pipe) harmonics

31

Other notes (shorten the pipe) Reinforcing a harmonic (forcing a “node”)

Flute (open pipe) harmonics

32