Notes From Last Week Some Class Members Questions WB-Formal - - PowerPoint PPT Presentation

notes from last week
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Notes From Last Week Some Class Members Questions WB-Formal - - PowerPoint PPT Presentation

Notes From Last Week Some Class Members Questions WB-Formal training of the artists: Meta Warwick Fuller; PA Museum and School of Art Ecole des Beaux Arts and Atelier of Rodin William H. Johnson; National Academy of Design, Cape Cod School


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Notes From Last Week

Some Class Members’ Questions

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WB-Formal training of the artists: Meta Warwick Fuller; PA Museum and School of Art Ecole des Beaux Arts and Atelier of Rodin William H. Johnson; National Academy of Design, Cape Cod School of Art (Provincetown, MA), in Paris Aaron Douglas; Detroit Museum of Art, University of Nebraska School of Art, Winold Reiss, Barnes Foundation (Albert Barnes)

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Formal Training Continued: Palmer Hayden; Columbia University, Cooper Union, Paris Archibald Motley; Art Institute of Chicago, Paris (Guggenheim) Malvin Johnson; National Academy of Design Members’ Questions Continued: Donna Calame - Ethnicity/Race of Women in “Night Life” Not at all unlikely that some could be Latina and “white non- Hispanic” women; and just as likely we are seeing mixed race African American women Jeanne Powell - Commented on what Af-Am migrants saw upon arrival and US Post Office and the black middle class (Malvin Johnson’s Painting)

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Me Membe bers’ ’ Que uesti tions ns

Sarah Wilcox - The policeman’s hands (in “Getting Religion”) R-his “nightstick” L-? Lindsay Kefauver - Nature of reviews of artists’ work Rich Murphy - Masks, Stereotypes, and depictions of individuals in Archibald Motley

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Articl cles es to Rea ead:

  • Colin Grant, “Claude McKay: On the Waterfront,” The New York Review of

Books (Nov. 5, 2020)

  • Caroline Randall Williams, "My Body Is A Confederate Monument," NY

Times (June 28, 2020).

  • Giovanni Russonello, "Gladys Bentley," NY Times (Feb. 3, 2019).
  • Adeel Hassan, "Philip A. Payton Jr." NY Times (Feb. 3, 2019).
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Wi William H. Johnson, "N "Nude (Ma Mahlinda)," )," (o (oil on burlap) ) 29" 29"x38" x38" 1939. 1939.

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Ph Photograp apher er of Har Harlem lem

James VanDerZee (1816-1983) Studios in Harlem, 1910-1968 In “Harlem On My Mind” MMOA, 1969

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!"#$%& '%#&$() '**$+",*$-."(/$012,%3-&$1+*,%3-&$4%&*$1,/

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Th The Va VanDerZee Wo Women

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Va VanDerZee

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Va VanDerZee, , “S “Sel elf P Por

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trait, t,” 1918. ” 1918.

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“N “New Y w Yor

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Phot

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er, Ja Jame mes Va VanDerZee,” ,” Oc October 27, 27, 1977. 1977.

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Va VanDerZee, “B “Bren entw twood

  • od W

Wicker er C Chairs” s”

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“E “Even ening A Atti tire, e,” 1922. ” 1922.

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“F “Futu ture Exp e Expec ectati tion

  • ns,

s,” ” 1925. 1925.

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Va VanDerZee, , “T “The Barefoot Prophet”

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Vi Virtual Exhibition

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