GRNCM Open Day | 25 September 2018 Professor Nicholas Reyland Head - - PowerPoint PPT Presentation

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GRNCM Open Day | 25 September 2018 Professor Nicholas Reyland Head - - PowerPoint PPT Presentation

BMus (Hons) GRNCM Open Day | 25 September 2018 Professor Nicholas Reyland Head of Undergraduate Programmes Dr Michelle Phillips GRNCM Co-Ordinator and Deputy Head of Undergraduate Programmes Welcome - Why are you here? And where are you


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BMus (Hons) GRNCM

Open Day | 25 September 2018 Professor Nicholas Reyland

Head of Undergraduate Programmes

Dr Michelle Phillips

GRNCM Co-Ordinator and Deputy Head of Undergraduate Programmes

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Welcome

  • Why are you here? And where are you going?
  • A tale of two Last Night RNCM saxophones…
  • Our exceptional degree
  • Comprehensive creativity: design of BMus (Hons)
  • Artistic development, academic studies
  • Perform and be performed: opportunities
  • Work with the best: visiting luminaries
  • Professional experience scheme, professional engagements,

residencies & tours, annual themes

  • Wellbeing & enjoyment
  • GRNCM and 3-year degree: Dr Michelle Phillips
  • Questions
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A tale of two Last Night RNCM saxes

  • Jess Gillam’s Milhaud (2018)
  • Sir Harrison Birtwistle’s Panic (1994)
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Our exceptional degree

  • World-class

conservatoire

  • Unique degree,

designed to prepare the best 21st-century musicians

  • Spaces and facilities
  • Major venue & concert

programme

  • Diversity of opportunities to

perform and be performed

  • Masterclasses, guest artists,

residencies, tours

  • Professional experience

placements, engagements, and creative projects

  • A healthy, happy musical

community

  • Richness & flexibility
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Comprehensive creativity

Principal Study Academic Studies Artistic Development

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Course design

  • Years 1 & 2: Pass and progress
  • Years 3 & 4: Count towards degree result
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Artistic development

Examples of recent Creative Projects: Performing Bach RNCM Photographic Society Composition for Video Games Opera Gala Night Music for Health at RMCH Examples of recent Professional Placements: Arts Management – Bridgewater Hall Concert Manager, Hallé Youth Orchestra Administration, Music Action International Charity Development Community – Camerata in the Community, Foden’s Youth Band, Streetwise Opera, Theatre in Prisons, Love Music Trust Music & Wellbeing: Music for Health, Music and Dementia, Music in Hospitals and Care Pedagogy: Bolton Music Service, National Children’s Orchestra, RNCM Junior Department

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Academic studies

  • Music, Culture and Performance I & II
  • Theory & Musicianship I & II
  • Performance Studies
  • Research (and Practical) electives including…
  • The Concerto, Beethoven’s Symphonies, Puccini Operas, Film

Music, TV Music, Castrati, Wagner’s Ring, Music & Ideology, Philosophy, Applied Music Psychology, Music Therapy, Music Acoustics, Music under the Third Reich, Music and Narrative, Music Perception, Composition and Performance, Shakespeare and Music, Crossover, Metal, Stravinsky

  • Chamber Music, Composing for Media, Opera Scenes,

Conducting, Composing and Arranging, Studio Mixing, Jazz Improvisation, Pedagogy, Physicality in Performance

  • Choose your own pathway, interactions & innovations
  • Study management support
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Perform and be performed

Symphony Orchestra Concert Orchestra Sinfonietta Brass Band Big Band Brand New Orchestra Chamber Orchestra String Orchestra Wind Orchestra Session Orchestra Plus: Brass, Wind, Baroque, Jazz, Harp, Guitar, Percussion & Saxophone ensembles, and the Composers’ Lab & New ensembles, which perform student composers’ new works

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Perform and be performed

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Work with the best

  • Masterclasses, workshops, residencies
  • Recent visitors include:
  • Sir Mark Elder (The Hallé)
  • Jac van Steen (Ulster Orchestra)
  • David Hill (BBC Singers)
  • Garry Walker (Rheinische

Philharmonie Koblenz)

  • Henning Kraggerud (Arctic Philharmonic

Orchestra)

  • Markus Stenz (Netherlands Radio

Philharmonic Orchestra)

  • Ruth Rogers (London Mozart Players)
  • Composers Krzysztof Penderecki,

Tansy Davies, Mark-Anthony Turnage, Thea Musgrave, Kaija Saariaho

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Professional experience scheme

  • RNCM’s prestigious, international partnership programme
  • Over 400 opportunities each year for students to participate

in auditions, rehearsals, education projects and public performances in the UK and Mainland Europe

  • Long-established partnerships with the Hallé, BBC Philharmonic

and Royal Liverpool Philharmonic Orchestras, Manchester Camerata, Black Dyke Band and Opera North

  • More recently: the Academy
  • f Ancient Music, Chamber

Orchestra of Europe, European Chamber Academy, Foden’s Band, Mahler Chamber Orchestra, Netherlands Wind Ensemble, KorVest, and the Orchestra of Opera North

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Professional engagements

  • Over 350 performance opportunities per year
  • Paid public performance engagements
  • Venues from St Martin-in-the-Fields and Manchester City FC
  • Recital, chamber music, soloists
  • Concert series in

Manchester

  • Whitworth Gallery
  • Buxton Festival
  • Weddings, corporate

events, popular music

  • Concerto
  • pportunities
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Residencies and tours

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Annual themes

Sounds Original? əˈrɪdʒɪn(ə)l,ɒˈrɪdʒɪn(ə)l/ adjective: original

  • 1. not dependent on other people's ideas; inventive
  • r novel. "a subtle and original thinker"
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Wellbeing and enjoyment

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Modules Credits Year 1 Principal Study Performance or Comp 2 40 Principal Study Techniques 2 Small Ensembles 1 Small Ensembles 2 Artist Development 1 Artist Development 2 Music, Culture and Performance 1 Theory and Musicianship 1 20 10 10 10 10 20 20 Total 140 Year 2 Principal Study Performance or Comp 3 40 Principal Study Techniques 3 20 Performing Contemporary Music Music, Culture and Performance 2 Theory and Musicianship 2 10 20 20 Practical or Performance elective 10 Placement 20 Total 140 Year 3 Principal Study Performance or Comp 4 60 Creative Project Research Electives Independent Research Project 20 20 20 Practical or Performance elective 10 Performance Studies 10 Total 140

  • 3 year BMus students take all credits included on the 4 year BMus,

except Principal Study 1 and Principal Study Techniques 1.

  • These are factored out as you will have the ABRSM Diploma (or

equivalent) on entry, which replaces these modules.

Intensive Bachelor of Music (3-year) course

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Modules Credits Year 1 Principal Study Performance or Composition 1 40 Principal Study Techniques I 20 Small Ensembles 1 10 Artist Development 1 10 Total 80 Year 2 Principal Study Performance or Composition 2 40 Principal Study Techniques 2 20 Small Ensembles 2 10 Artist Development 2 10 Total 80 Year 3 Principal Study Performance or Composition 3 40 Principal Study Techniques 3 20 Professional Placement 20 Total 80 Year 4 Principal Study Performance or Composition 4 60 Practical or Performance Elective 10 Practical or Performance Elective 10 Creative Project 20 Total 100

  • Subset of RNCM BMus modules
  • Other modules taken at the

University of Manchester

  • One hour per week one-to-one

lesson

  • Participation in all ensembles,

masterclasses, competitions, composition events, etc.

  • Greater credit weighting in final

year when you have finished you MusB at University of Manchester

GRNCM: Graduate Diploma

  • f the RNCM

(the ‘joint course’)

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Sounds original?

  • World-class

conservatoire

  • Unique degree,

designed to prepare the best 21st-century musicians

  • Spaces and

facilities

  • Major venue &

concert programme

  • Diversity of opportunities

to perform and be performed

  • Masterclasses, guest

artists, residencies, tours

  • Professional experience

placements, engagements, and creative projects

  • A healthy, happy musical

community

  • Richness & flexibility
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www.rncm.ac.uk

Any questions?