Furniture designer. Ali Robinsons work is informed by a variety of - - PDF document

furniture designer ali robinson s work is informed by a
SMART_READER_LITE
LIVE PREVIEW

Furniture designer. Ali Robinsons work is informed by a variety of - - PDF document

Furniture designer. Ali Robinsons work is informed by a variety of infmuences: the creative polymath studied fjne art, before setting up the architecture and interior design fjrm Robinson van Noort with his wife in 2001. Their studio


slide-1
SLIDE 1

Furniture designer.

slide-2
SLIDE 2

WWW.ALIROBINSON.COM MADE IN LONDON, UK 06 06 07 04 Kynance Cove, Cornwall Working with Specialist Makers The collection: Kynance At work with: Ali Robinson

“Ali Robinson’s work is informed by a variety of infmuences: the creative polymath studied fjne art, before setting up the architecture and interior design fjrm Robinson van Noort with his wife in 2001. Their studio fmourished, becoming known for its period interiors with contemporary touches. Robinson’s fjrst foray into furniture is no different.” Holly Patrick - Wallpaper* “Ali Robinson, one-time rackets world doubles champion-turned- designer, has served an ace.” Nathalie Wilson - The World of Interiors

slide-3
SLIDE 3

AT WORK WITH:

Ali Robinson

In 2001 Ali Robinson co-founded Robinson van Noort, an architectural and interior design practice. He studied Fine Art at The Ruskin, Oxford University. He predominately made paintings before taking up a number of artist-in-residency posts where his work developed into performance, installation-based sculpture and

  • video. Ali’s practice as a designer and artist has always involved a

fundamental connection and fascination in games. He is a gifted sportsman having played a number of games to national level and becoming World Rackets Doubles Champion in 2005. His art in particular touches on his interest in how sport can be a powerful metaphor, how it can prepare us for all sorts of challenges, fjnancial and socio-political and how practice and rehearsal readies us for performances. It is this unusual mix of love and interest in design, art and games that infmuences his fjrst collection of furniture, Kynance, launched in 2017. The 17-piece collection comprises of a series of vitrines and tables, along with a selection of mirrors and consoles, a sideboard and a family ruler that records the height of growing children.

04 ALI ROBINSON

slide-4
SLIDE 4

Ali’s furniture collection Kynance, named after a picturesque bay in Cornwall where the designer spent many of his childhood summers, is as much inspired by his early life as an artist as by his years designing bespoke furniture for Robinson van Noort’s residential clients. Through his work at Robinson van Noort, Ali has spent more than 15 years nurturing relationships with specialist makers around the UK, from cabinetmakers to glass and metal manufacturers. Ali has created the furniture collection with these specialists working in timber, brass, bronze, patinated steel and vitreous enamel. It is this part

  • f the design and making process that gives Ali

the most pleasure, where designer and maker allow time to experiment, test and push standard practices and processes together.

06 ALI ROBINSON

KYNANCE COVE

Cornwall

WORKING WITH:

Specialist Makers

16 08 26 32 Tables Vitrines Consoles Other items

KYNANCE

slide-5
SLIDE 5

Vitrines

‘The Hare with the Amber Eyes – a Hidden Inheritance’, by Edmund de Waal is a tragic story that centres on an object of desire and keepsake; it touches on love, pleasure and exquisite craftsmanship. It describes the glazed cabinets that housed Japanese netsukes or keepsakes that moved around the world from owner to owner over the last 200 years. It made him consider how people spent their time discovering, sourcing, owning, inheriting and cherishing artefacts, and how the examination of the making process itself would afgect their opinions on how they value and measure things. Ali fjrst began using the patinated steel with his vitrine series. The idea for the vitrines came from reading ‘The Hare with the Amber Eyes – A Hidden Inheritance’, by Edmund de Waal.

09

slide-6
SLIDE 6

VITRINE:

Clarendon

10 ALI ROBINSON

He experimented in the workshop with the patination

  • f many types of metals, polishing and dipping, and

worked with enamel specialists to mix unusual portions of pigment to achieve a delicate ceramic-like surface quality. The process involved balancing a desire to maintain a handmade feel with subtle imperfections, notches and variable patination in the metalwork, with the functional necessities to produce a simple, elegant piece that could be used daily. Ali studied a variety of vitrines and enjoyed looking at the play of light through the glass and the refmections that bounced ofg polished surfaces and through perforated metal.

2700 W 430 D 2000 H 800 W 500 D 2200 H patinated black steel/ perforated metal/ highly polished steel/ glass/ sprayed metal/ patinated black steel/ perforated metal/ highly polished steel/ glass/

VITRINE:

Ashorne

11

slide-7
SLIDE 7

12 ALI ROBINSON

VITRINE:

Symonds

960 W 430 D 2250 H patinated black steel/ perforated metal/ highly polished steel/ glass/ sprayed metal/ 700 W 430 D 1950 H patinated black steel/ perforated metal/ highly polished steel/ glass/ sprayed metal/

VITRINE:

Barnsbury

13

BESPOKE

Vitrines All of the 4 vitrines can be specifjed in bespoke sizes and colourways.

slide-8
SLIDE 8

2700W 430D 2000H 800W 500D 2200H 960W 430D 2250H 700W 430D 1950H Clarendon - Double Vitrine Ashorne - Vitrine Symonds - Vitrine Barnsbury - Vitrine

Vitrines

14 ALI ROBINSON

slide-9
SLIDE 9

Dining Tables

Ali has designed two dining tables – Kynance, which is fjxed, and Chilworth, which is extendable. The form of the dining table is inspired by Finn Juhl’s Judas Table (1948) with its pared back celebration of rosewood and gentle touch of silver decoration.

16 ALI ROBINSON

slide-10
SLIDE 10

DINING TABLE:

Chilworth

18 ALI ROBINSON

2550/3550 W 950/1200 D 750 H smoked eucalyptus veneer or quarter sawn fjgured sycamore

  • r dyed tulip wood/

brass or bronze or blackened brass inner and outer ellipse rim/ patinated molten brass legs/

19

Chilworth was conceived from a commission to design an extending dining table to seat 14. The relative tightness

  • f the space led Ali to conceive an elliptical design with

a brass rim. An inner ellipse creates a table for intimate dining and a larger ellipse, made from 4 extendable leaves, creates a table that can seat 14. These two difgerent shaped ellipses produce a foreshortening depending on where you sit and creates beautiful negative spaces between the inner and outer rim.

slide-11
SLIDE 11

DINING TABLE:

Kynance

2000/2300/2600/3550 W 950/1000/1050/1200 D 750 H 4200 W 1200 D 750 H smoked eucalyptus veneer or quarter sawn fjgured sycamore

  • r dyed tulip wood/

brass or bronze or blackened brass inner and outer ellipse rim/ patinated molten brass legs/ smoked eucalyptus veneer or quarter sawn fjgured sycamore

  • r dyed tulip wood/

brass or bronze or blackened brass inner and outer ellipse rim/ patinated molten brass legs/

CONFERENCE TABLE:

Preshute

21

Preshute is a revision of Chilworth, Ali’s extendable dining table. The elliptical form was stretched to 4.2 meters and the ends altered to accommodate extra space for laptops and notepads. Furthermore the table was adapted to encompass cable management requirements with an IT undercarriage and two gullwing-like surface grommets. One of Robinson van Noort’s existing corporate clients requested a number of conference and meeting tables in both smoked eucalyptus and sycamore.

slide-12
SLIDE 12

DINING TABLE:

Kynance II

22 ALI ROBINSON

2000/2300/2600/3550 W 950/1000/1050/1200 D 750 H dyed tulip wood veneer/ blackened brass rim and discs/ patinated steel legs/

23

Kynance II was inspired by a very particular dyed tulip

  • wood. When combined with blackened brass details, the

timber takes on a feeling of fossilised stone or patinated metal, evident into rest of his collection. The legs are over- sailing rectangles arranged to form a hexagonal shape. The intersection of the legs align with the blackened brass

  • discs. They create a sweeping helical form which plays

with the adjacent and similar looking natural dark knots evident within the veneer.

slide-13
SLIDE 13

2000/2300/2600/3550W 950/1000/1050/1200D 750H 2550/3550W 950/1200D 750H 4200W 1200D 750H Kynance - Dining Table Kynance II - Dining Table Chilworth - Dining Table Preshute - Conference Table

Tables

24 ALI ROBINSON

slide-14
SLIDE 14

Consoles

Ali’s consoles looks at how a form can be both symmetrical and cockeyed to suggest a precarious stability. The Lillian console exaggerates this cockeyedness by expressing the leg arrangement position on the marble top with inlaid pewter discs. As with his dining table, Kynance II, this continues Ali’s interests in how inlaid marks can accentuate knots and subtle variations in natural materials and how the hand-made, with its gentle ‘imperfections’, can highlight both the beauty of the material and the skill and ambition of the making.

26 ALI ROBINSON

slide-15
SLIDE 15

1700 W 300 D 690 H 1640 W 330 D 790 H honed nero marquina marble top/ pewter disc/ patinated steel legs/ smoked eucalyptus veneer with brass rim/

  • r quarter sawn fjgured sycamore veneer with bronze rim/

patinated steel legs/

CONSOLE:

Tranquil Vale

29

CONSOLE:

Lillian

BESPOKE

Consoles All consoles can be specifjed in bespoke sizes.

slide-16
SLIDE 16

1700W 300D 690H 1640W 330D 790H Tranquil Vale - Console Lillian - Console

Consoles

30 ALI ROBINSON

slide-17
SLIDE 17

A system of dowels housed through perforated powder coated metal fjns, easily adjusted to display all sorts of objects of varying sizes. These shelves have been used to display books in receptions, glassware and crockery in kitchens (by locating a foreword dowel

  • n a higher row than the others, one secures precious objects) and

as a bathroom vanity unit. The steel fjns can be coated in any RAL colour and the timber dowels come in ash, walnut or sycamore.

sprayed metal fjns/ ash, walnut or sycamore dowels/

SHELVING UNIT:

Twyford

33

BESPOKE

Twyford - Shelving unit Both shelving units can be specifjed in bespoke sizes and colourways.

800/1000 W 250 D 2400/1120 H

slide-18
SLIDE 18

RULER:

Constantine

The colour gradation in the ruler, to mark increments of height, is achieved by altering the time the brass is submerged in the patination

  • tank. The Constantine ruler comes with a bespoke etching stylus

for marking heights and recording a child’s name and age and a discreet wall bracket to secure away from the skirting board. Traditionally the height of growing children is measured on a door frame or wall. However, this presents a problem should a family move house. To solve this problem, Ali has created the Constantine measuring ruler as an elegant way to record the height of growing children.

patinated brass/ 150 W 50 D 2250 H

34 ALI ROBINSON

slide-19
SLIDE 19

MIRROR:

Harrow Fields

36 ALI ROBINSON

600 or 750 Ø bronze and brass/

  • r patinated steel and brass/

37

Harrow Fields has four hanging positions and is also available in patinated steel and brass . The design takes inspiration from Barbara Hepworth’s 1960 piece ‘Oracle’ and Anish Kapoor’s void pigment sculptures where one is unsure where a form starts and fjnishes. Ali’s love of 18th century convex tarnished silvered mirrors led to the creation of Harrow Fields, a dramatic brass and bronze mirror, made from a series of spun, cut and welded concave and convex discs with a fmat polished brass ‘mirror’ element.

slide-20
SLIDE 20

SIDEBOARD:

Bushey Hill

38 ALI ROBINSON

1800 W 465 D 850 H patinated black steel/ perforated metal/ highly polished steel/ glass/ sprayed metal/

39

Ali is interested in designing objects that seems, on initial viewing, clean and orthogonal but on closer observation have subtle asymmetries and surprising variations. By presenting difgerent planes to frame refmective, perforated

  • r matt surfaces, they gently distort visual perception and

encourage verifjcation by touch and close up inspection. Using a ‘palette’ of perforated, patinated, polished and sprayed steel, the sideboard follows on from Ali’s vitrine series - functional, useful and pleasing on the eye. Small cylindrical brass knobs fjx through the sliding doors - a functional necessity that highlights the perforated steel’s materiality.

slide-21
SLIDE 21

STOOL:

Drove Acre

40 ALI ROBINSON

880 W 530 D 450 H brushed stainless steel/ black unlacquered rubber squash balls/

41

As a separate, on going practice Ali has made paintings and sculptures since graduating from the Ruskin School of Art. This sculpture-cum-stool, although ‘sitting’ outside the Kynance collection, infmuenced the use of spun discs and perforations in his furniture. It is a conceptual piece that challenges strangers in a public space to engage and share the limited amount of upholstery available (the rubber squash balls) to ensure both people sit comfortably.

slide-22
SLIDE 22

150W 50D 2250H 1800W 465D 850H 800/1000W 250D 2400/1120H 600 or 750 Ø 880W 530D 450H Constantine - Ruler Bushey Hill - Sideboard Twyford - Shelving unit Harrow Fields - Mirror Drove Acre - Stool

DECORATIVE OBJECTS:

Other items

42 ALI ROBINSON

slide-23
SLIDE 23

www.alirobinson.com