Final Assessment May 2017 Vanessa Wilgeroth Diary of Experiences - - PowerPoint PPT Presentation

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Final Assessment May 2017 Vanessa Wilgeroth Diary of Experiences - - PowerPoint PPT Presentation

Fine Art Final Assessment May 2017 Vanessa Wilgeroth Diary of Experiences Within Care Work Dementia Post Traumatic Amnesia or Brain Injury Behavioural symptoms........ Wandering Visuoperceptual difficulties Repetition


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SLIDE 1

Fine Art Final Assessment

May 2017 Vanessa Wilgeroth

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SLIDE 2

Diary of Experiences Within Care Work

Post Traumatic Amnesia

  • r Brain Injury

Dementia

Behavioural symptoms........

  • ‘Wandering’
  • Repetition
  • Loss of memory
  • Disorientation
  • Visuoperceptual difficulties
  • Loss of identity
  • Inability to communicate
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The Cabinet of Dr Caligari

  • 1920’s Expressionist

silent horror movie.

  • A film of delusions

and deceptive appearances

  • A world that is both

familiar and strange

  • Speaks to the physical

and psychological. Robert Wiene, Hans Janowitz and Carl Mayer, 1920,

Germany

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Uliana Apatina

‘The Side Where Real Is’ Crypt@St.Mark's Kennington, London, UK, 2013

  • An assault course of an

impressive series of interactive installations.

  • Visual challenges conveyed

through the materials and medium.

  • Emotionally and intellectually

challenging architecture and environments.

  • A division between physical and

abstract, rational and intuitive, questioning what is reality?

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‘And at a certain point of construction something is happening and all those feelings are becoming too much to bear – everything is pulsating all

  • ver inside my body and I can’t sleep any longer, I can’t think properly

without being on the edge of a some mysterious hallucination where unreal has a logical place to happen and real has a distorted face of unreality.” Uliana Apatina

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SLIDE 6

Julian Hoeber

Demon Hill, 2010

  • Julian Hoeber uses art to

explore psychology, emotion and narrative.

  • A freestanding structure

providing an illusion of gravity.

  • A playful experience of space

and narrative

  • A deeper context of

psychology and distortion.

  • Impairs gravity and judgement

and distorts their reality.

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SLIDE 7

Carsten Holler

  • Invites visitors to engage, blurring the line

between the spectator and the performer.

  • New ways of inhabiting our world.
  • summoning different states of mind.
  • Demanding sensory participation and

perceptual focus from its viewer.

  • Repetition is a dominate factor within the

creation of the exhibition.

“Decision Tunnels” 2015

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Documentation

Entrapment – April 2016

  • Immersive Installation involving

participation.

  • To provoke an emotional response.

Restricting, claustrophobic, isolating

  • An internal view of the mind ie. Brain

neurons

  • Interaction allowing an experience of the

external implications of mental illness

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SLIDE 9

Everything is a bit off!

  • Distorting the daily environment. Engaging in the contortion of habitual surroundings
  • My aim – To provoke an unnerving disorientation and confusion in the viewer.
  • Normal reality into a reality of uncertainty
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SLIDE 10
  • I Invited the viewers to leave a response to the

work.

“It makes me feel like everything is a bit off – I stand in the middle and look around and the walls and floor don’t seem flat. This messes my head up”

Anonymous

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SLIDE 11

Distorting the Senses

  • Immersive installation - Redefines space and the

distorted image of the self.

  • Disorienting the body and Visually challenging.
  • Unnerving sensation all over your body and skin
  • Audio of a poem written from the perspective of

an individual with Dementia and Brain Injury

  • Words are distorted, backwards, slowed down and
  • verlapped.
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Distorted Habitat

  • Wanting to make my installations more impacting.
  • Not only contorting objects from habitual environments but completely

distorting the space as a whole.

  • To entirely alter space and form. Total immersion within the environment
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Lost Beyond Conception

  • The piece encompasses everything I aimed to

achieve and portray within my artwork.

  • Bringing the seriousness of dementia and brain

injury - what happens behind closed doors into the public.

  • Giving the audience choice – to view as a sculpture
  • r to participate as an installation.
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SLIDE 14

THE END Thank you for listening!