2: Language and Literature 5 November 2015 Figure: Psalm 50, BL - - PowerPoint PPT Presentation

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2: Language and Literature 5 November 2015 Figure: Psalm 50, BL - - PowerPoint PPT Presentation

2: Language and Literature 5 November 2015 Figure: Psalm 50, BL Stowe 2 fol. 56r (detail; public domain / British Library) Key Questions traditions intersected? What are the earliest traces of an Old English written tradition? What


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2: Language and Literature

5 November 2015

Figure: Psalm 50, BL Stowe 2 fol. 56r (detail; public domain / British Library)

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Key Questions

▶ What are the earliest traces of an Old English written tradition? ▶ What happened when old and new written forms and cultural

traditions intersected?

▶ What kinds of literature did the Anglo-Saxons relay and produce? ▶ What are the formal features of Old English verse? ▶ What was a verse performance like?

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Part I: Beginnings

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Runes

Figure: Anglo-Frisian runes

▶ Elder Futhark, ss. ii–viii, Proto-Norse, 24 chars ▶ Anglo-Frisian Futhorc, ss. v–xi, Old English, 29–33 chars ▶ Younger Futhark: ss. ix–xi, Old Norse, 16 chars ▶ Medieval Futhark: ss. xii–xv, Old Norse, 27 chars

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Scandinavian Runes

Figure: Vimose comb, Denmark, c. 160: “harja” (CC-BY-SA WMC user)

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Scandinavian Runes

Figure: Einang stone, Norway, s. iv: “[ek go]dagastiR ru[n]o faihido” (CC-BY-SA

  • D. Bachmann)
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Self-Reference

Figure: Self-referential sign (LiveJournal user)

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Anglo-Saxon Runes

Figure: Deer astragalus, c. 400: “raihan” (“roe”; (c) Christer Hamp)

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Anglo-Saxon Runes

Figure: Loveden Hill Urn, s. v/vi: “siþæbæd þiuw hlæ[w]” (“the mound of Siþæbæd the slave”; CC0 Andrew West)

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Franks Casket

Figure: Franks Casket, rear (s. viii; CC-BY-NC-ND Amanda Graham)

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Franks Casket

Figure: Franks Casket, front (s. viii; CC-BY John W. Schulze)

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Deor

Welund him be wurman wræces cunnade. Anhydig eorl earfoþa dreag, hæfde him to gesiþþe sorge ond longaþ, 3 wintercealde wræce, wean oft onfond, siþþan hine Niðhad on nede legde swoncre seonobende

  • n syllan monn.

6 Þæs ofereode, þisses swa mæg!

” “

Weland endured misery at the hands of the serpent. The resolute warrior suffered dire straits, had grief and pining as his companions, winter-cold misery. He often experienced woe after Niðhad put constraints on him, the better man, with a supple sinew-bond. As for that, it passed; it may for this, too! ”

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Deor

Beadohilde ne wæs hyre broþra deaþ

  • n sefan swa sar

swa hyre sylfre þing: 9 þæt heo gearolice

  • ngieten hæfde

þæt heo eacen wæs— æfre ne meahte þriste geþencan, hu ymb þæt sceolde. 12 Þæs ofereode, þisses swa mæg!

” “

Her brothers’ death was not as painful to Beadohild as her own matter: that she had clearly understood that she was pregnant. She could never steadfastly contemplate what she ought to do about that. As for that, it passed; it may for this, too!

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The Rich Göttingen Tradition

Figure: A Göttingen dissertation

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Franks Casket

Figure: Franks Casket, front (s. viii; CC-BY John W. Schulze)

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Franks Casket Riddle (Front)

Fisc flod ahof

  • n fergen-berig

warþ ga:sric grorn þær he on greut giswom. Hrones ban. 3

” “

The water lifted a fish onto a mountain cliff; the king of the

  • cean (?) became sad when he swam onto the gravel.

Whale bone.

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Franks Casket

Figure: Franks Casket, left (s. viii; CC-BY John W. Schulze)

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Franks Casket Runes (Left)

Romwalus and Reumwalus, twœgen gibroþær; afœddæ hiæ wylif in Romæcæstri, oþlæ unneg.

” “

Romulus and Remus, two brothers; a she-wolf nourished them in Rome, far from their homeland.

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Franks Casket

Figure: Franks Casket, rear (s. viii; CC-BY John W. Schulze)

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Franks Casket Runes (Rear)

Her fegtaþ Titus end Giuþeasu HIC FUGIANT HIERUSALEM afitatores Dom Gisl

” “

Here fight Titus and Jews HERE its residents FLEE JERUSALEM Judgement Hostage

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Franks Casket

Figure: Franks Casket, right (s. viii; CC-BY John W. Schulze)

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Franks Casket Runes (Right)

Her Hos sitiþ

  • n harmberga

agl[:] drigiþ swa hiræ Ertae gisgraf sarden sorga and sefa torna. 3 Risci Wudu Bita 6

” “

Here sits Hos in a sorrow-mound; she suffers affliction as Ertae has decreed for her a grievous den of sorrows and trouble of the mind. Reed Wood Biter

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Franks Casket

Figure: Franks Casket, lid: “Ægili”, (s. viii; public domain / WMC)

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Ruthwell Cross

Figure: Ruthwell Cross (s. viii; CC-BY-NC Elizabeth Oliver)

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Ruthwell Cross

Figure: Ruthwell Cross (s. viii; CC-BY-NC-ND Alister B.)

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Beginnings: The Law of Æthelberht

Figure: Law of Æthelberht (c. 600 / MS s. xii; public domain / WMC)

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Hymnus Caedmonicus

Nunc laudare debemus auctorem regni caelestis, potentiam creatoris, et consilium illius facta Patris gloriae: quomodo ille, 3 cum sit aeternus Deus, omnium miraculorum auctor exstitit; qui primo filiis hominum caelum pro culmine tecti 6 dehinc terram custos humani generis creavit omnipotens

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Caedmon’s Hymn

Nu sculon herigean heofonrices weard, meotodes meahte and his modgeþanc, weorc wuldorfæder, swa he wundra gehwæs, 3 ece drihten,

  • r onstealde.

He ærest sceop eorðan bearnum heofon to hrofe, halig scyppend; 6 þa middangeard moncynnes weard, ece drihten, æfter teode firum foldan, frea ælmihtig. 9

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Part II: Literature

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The Dictionary of Old English Corpus

A Poetry 177,480 words 6% B Prose 2,128,781 words 70% C Glosses 699,606 words 23% D Glossaries 26,598 words .88% E Runes 346 words .01% F Inscriptions 331 words .01% Total 3,033,142 words

  • Incl. foreign words

3,791,645 words

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Poetry

▶ Biblical paraphrase: Genesis A, (Genesis B,) Exodus, Daniel, Azarias,

Psalms 51–150, Judith(, Christ and Satan pt 3)

▶ Biblically inspired and religious narrative: Genesis B, Christ, Christ

and Satan, Dream of the Rood, Fates of the Apostles, Judgement Day I, II, Soul and Body

▶ Saints’ lives: Andreas, Elene, Guthlac, Juliana ▶ Religious allegory: The Phoenix, The Whale, The Panther ▶ Devotional: Psalms 51–150, hymns, and prayers (Christ, The Descent

into Hell)

▶ Heroic: Beowulf, Finnesburh Fragment, Waldere, Deor, Widsith, The

Battle of Brunanburh, The Battle of Maldon

▶ Riddles, wisdom poetry, charms ▶ Lyric and elegy: The Wanderer, The Seafarer, The Wife’s Lament, The

Ruin, Wulf and Eadwacer, The Husband’s Message

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Prose

▶ Homilies ▶ Laws (secular and ecclesiastical) ▶ Charters and records ▶ Saints’ lives (incl. Gregory’s Dialogues bks 1–3) ▶ Biblical translation: Hexateuch, historical books, Psalms, Gospels ▶ Learning: Soliloquies, Boethius, computistics, Ælfric’s Grammar ▶ Historiography: Orosius, Bede, Anglo-Saxon Chronicle ▶ Precepts: Pastoral Care, Benedictine Rule, Rule of Chrodegang ▶ Liturgy and catechesis: directions, prayers, creeds ▶ Medical texts, recipes, charms, prognostics ▶ Dialogues: Solomon and Saturn, Adrian and Ritheus ▶ Marvels: Wonders of the East, Letter of Alexander to Aristotle ▶ Romance: Apollonius of Tyre ▶ Letters, tracts, and admonitions ▶ Notes and scribbles

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Part III: Poetics

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Verse Form

Rhythm

▶ Two verses per long line

(separated by a caesura)

▶ Two lifts (= beats) per verse ▶ Variable number of drops

(= unstressed syllables)

Alliteration

▶ One or both lifts in the a-verse ▶ First lift in the b-verse ▶ Vowels alliterate among

themselves

▶ sc, sp, st are inbreeders

Oft Scýld Scéfing scéaþena þréatum, sc-alliteration mónegum mǽgþum, méodosetla oftéah, 5 égsode éorlas, syððan ǽrest wéarð vowel alliteration féasceaft fúnden. He þæs frófre gebád, wéox under wólcnum, wéorðmyndum þáh,

  • ðþæt him ǽghwỳlc

ýmbsìttendra

  • fer hrónràde

hýran scólde, 10 gómban gýldan. Þæt wæs gód cýning!

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Rules of Rhythmic Stress

Particles: not normally stressed

▶ Finite verbs ▶ Personal pronouns ▶ Demonstrative pronouns ▶ Demonstrative adverbs ▶ (Conjunctions)

Proclitics: not normally stressed

▶ Prepositions ▶ Demonstratives ▶ Possessives ▶ Copulative conjunctions ▶ Prefixes

Stress words: always stressed

▶ Alliterating syllables ▶ Nouns ▶ Adjectives ▶ Nonfinite verbs ▶ (Adverbs) ▶ (Pronouns)

Particles (grouped near the beginning of their clause) and proclitics (right before stressed words) receive stress if displaced. The second element in a compound contains secondary word stress; in rhythmic stress, it counts as a lift or drop as needed.

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Sievers Types

A / x / x eorlic ellen; glædne Hroðgar; wide siðas (~ 2 trochees) B x / x /

  • nd Halga til

(~ 2 iambs) C x / / x gebun hæfdon (~ 1 iamb + 1 trochee) D1 / / \ x frean Scyldinga; har hilderinc D2 / / x \ weold wideferhð E / \ x / healærna mæst

▶ Classical terminology impractical given the variable number of

drops to a foot.

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What Was Verse Performance Like?

Figure: Beowulf (2007) Figure: Christopher Page (YouTube link) Figure: Benjamin Bagby (YouTube link)

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Please Read for Next Week

▶ Beowulf lines 662–836 (trans. Liuzza) ▶ The Battle of Maldon (trans. in Trapp, Gray, and Boffey 100–110) ▶ Horowitz, “Beowulf, Samson, David and Christ”

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Bibliography I

Bagby, Benjamin. Beowulf. Directed by Stella Olsson. US: Koch, 2006. DVD. Godden, Malcolm, and Michael Lapidge, eds. The Cambridge Companion to Old English Literature. 2nd ed. Cambridge: Cambridge University Press, 2013. Liebermann, F., ed. Die Gesetze der Angelsachsen. 3 vols. Halle: Niemeyer, 1903/1916. Mitchell, Bruce, and Fred C. Robinson. A Guide to Old English. 8th ed. Malden, MA: Wiley–Blackwell, 2012. Momma, Haruko, and Michael Matto, eds. A Companion to the History of the English Language. Malden, MA: Blackwell, 2008. North, Richard, and Joe Allard, eds. Beowulf and Other Stories: A New Introduction to Old English, Old Icelandic and Anglo-Normal

  • Literatures. 2nd ed. Harlow: Longman / Pearson, 2012.
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Bibliography II

Page, Ray. An Introduction to English Runes. 2nd ed. Woodbridge: Boydell, 1999. Pulsiano, Phillip, and Elaine Treharne, eds. A Companion to Anglo-Saxon

  • Literature. Malden, MA: Blackwell, 2001.

Robinson, Orrin Warner. Old English and Its Closest Relatives: A Survey of the Earliest Germanic Languages. London: Routledge, 1992. Terasawa, Jun. Old English Metre: An Introduction. Toronto: University of Toronto Press, 2011. Zemeckis, Robert, dir. Beowulf. US: Paramount, 2008. Blu-ray.

  • P. S. Langeslag