Twentieth artistic language (techniques of Century representation) - - PowerPoint PPT Presentation

Picasso: Les Demoiselles d'Avignon 1907 8' x 7'8" [before cubism]

Matisse: Harmony in Red, 1908-9 Derain: Dance, 1906 Matisse: Joy of Life, 1905/6 The Dance, 1909

Fauvism and Early Matisse

the 20th century dialectic: artistic language (techniques of representation) versus the image and its source [or] disintegration of the real versus the hallucination

Twentieth Century Ruptures and Continuities

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Italian Futurism Guitar, 1912 Guitar (El Diluvio) 1913, papier colle Guitar, Sheet Music and Glass, 1912

Braque: Bottle, Newspaper, Pipe, and Glass, 1913 (pasted papers; charcoal) Picasso: Violin, 1912 Picasso: Still Life with Chair Caning, 1912, oil paint, oil cloth, rope

cubism, phase I: PIcasso, Ma Jolie, 1912, and Braque, The Portuguese, 1912

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Male Torso, 1917, brass, 19" ht. Torso of a Girl, 1923, onyx, 13" ht.

Constantin Brancusi

the part becomes the whole

Boccioni: Unique Forms of Continuity in Space 1913, bronze, h. 44" Rodin: The Walking Man c.1900 Bronze 33 1/8 in. (84.1 cm)

Sculptural modernism in the first quarter of the 20th century

Umberto Boccioni: Dynamism of a Soccer Player 1913 Giacomo Balla: Young Girl Running on a Balcony 1912 This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes. ImagePage 3 of 7 20th century part 1 F11.shw

Composition VII, 1913 78" x 118"

• il on canvas

Improvisation #30 (warlike theme) Improvisation #28 (War), 1912 oil/can., 44 x 64"

developments toward complete abstraction: Kandinsky

Kiki Smith: untitled (bodies), 1990 (wax and metal) Puppet, 2000 (paper, muslin and glass) Lehmbruck: The Fallen Man 1915/1916, cast stone, 78x240x82cm. Archipenko:Woman Combing Her Hair 1915 Bronze 13 3/4 x 3 1/4 x 3 1/8" Giacometti: Man Crossing a Square on a Sunny Morning, 1950, Cast bronze, 16 in. This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes. ImagePage 4 of 7 20th century part 1 F11.shw

Jean (Hans) Arp: Concrete Relief, 1916-17 painted wood, 41.2 x 60.6 cm Hannah Hoch: Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch

• f Germany

1919-20 photomontage, 3'9" x 2'11"

Duchamp: The Fountain 1917 DADA the art of being irrational

Mondrian: Composition with Red, Blue and Yellow 1930, oil/canvas, 1'6 x 1'6 De Stijl

White Square on White, 1918

• il on canvas, 3.1 x 3.1 ft

The 0.10 Last Futurist Exhibition of Painting

• St. Petersburg, 1915

[Malevich and Russian Suprematism]

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Surrealism automatism and dreams as the path to the unconscious key words: biomorphism and automatism Kenneth Snelson: Triple Crown, 1991

Klutsis: early version of the "Activist must Study" (montage), late 1920s Popova: stage construction for the Magnanimous Cuckold, 1922 the 1921 ObMoKhu exhibition in Moscow: hanging works by Rodchenko; stationary works by Ioganson Karl Ioganson and the difference between a composition and a construction

the challenges of constructivism:

interest in materials interest in the construction interest in efficacy TENSEGRITY (dynamic balance) ACTIVATION OF THE SPECTATOR

Monument to the Third International, 1919

leading to Russian constructivism: Tatlin and the culture of materials counterreliefs

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Jean Dubuffet: Corps de Dame: Bloody Landscape 1950 Karel Appel Scream into Space 1947 Francis Bacon Painting 1946 Oil and pastel on linen 6' 5 7/8" x 52"

Picasso: Guernica, 1937, oil on canvas, 11'5" x 25'5"

Dorothea Tanning Children's Games 1942

• il on canvas, 11 x 7

in.

Dali: The Lugubrious Game 1929 Oil and collage on card, 44 x 30 cm Joan Miro: Head of a Woman, 1938 This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes. ImagePage 7 of 7 20th century part 1 F11.shw