Satoshi Hashimoto NIGHT - TIME = DARKNESS HANS & FRITZ - - PDF document

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Satoshi Hashimoto NIGHT - TIME = DARKNESS HANS & FRITZ - - PDF document

Satoshi Hashimoto NIGHT - TIME = DARKNESS HANS & FRITZ CONTEMPORARY is pleased to present the exhibi- tion NIGHT-TIME = DARKNESS by the artist SATOSHI HASHIMOTO. Hashimoto is currently one of Japans most alarming artists, producing


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Satoshi Hashimoto NIGHT - TIME = DARKNESS

HANS & FRITZ CONTEMPORARY is pleased to present the exhibi- tion NIGHT-TIME = DARKNESS by the artist SATOSHI HASHIMOTO. Hashimoto is currently one of Japan’s most ‘alarming’ artists, producing works of art in the form of performances, actions, and instructions aimed at inducing the viewers’ into questioning their role in experiencing art. In the experience of art appreciation, we have acquired the habit of playing the role of an art viewer, which is allocated as one part of the structure of artist-artwork-viewer. Generally, we cannot bring personal feelings and pri- vate affairs into an art gallery because we must try to interpret the artwork

  • bjectivity and correctly. Exploring what he calls fuka, a term pointing to

a sense of suspense, risk and pressure, Hashimoto disrupts this structure. In an art exhibition, viewers are not only infmuenced by the artwork and ven- ue but are also signifjcantly infmuenced by the viewers themselves. The viewers are not transparent existences in the exhibition space. At times, they are even more real and active than the actual artworks and have the potential to cause something to happen inadvertently. One can go fur- ther and say that the venue exists to install viewers rather than artwork, and that the artworks act as assistants to produce the performance. Offering a way out of an “art of the everyday”, Hashimoto’s some- times—unreasonable instructions and micro-actions freely tran- scend any borders, posing a question to our principle of existence.

10 MAY 2018 - 7 JULY 2018

LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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INSTALLATION IMAGES

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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WORKS

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com HANGING THE HANDCUFFS ON THE STREET SHashimo/I 565 Chain and handcuffs Variable dimensions Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com NUMBER OF DEATHS YESTERDAY / NUMBER OF VISITORS TODAY SHashimo/I 564 Vinyl text on glass 50 × 100 cm Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com VISITORS COLOR SHashimo/I 569 Visitors, staff, microphone, loudspeaker, instax camera and photographs Variable dimensions Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com COFFEE CUP AND REFERENCE: BLACK COFFEE SHashimo/I 568 Coffee cup and photograph print on tracing paper Photograph: Black Coffee on the Street, Barcelona 2018 Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com YOU CAN BURN YOURSELF SHashimo/I 548 Lighter and instructions (visitor interaction) Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com OR STRIDE OVER OR DUCK UNDER SHashimo/I 563 Instructions on a squared timber (visitor interaction) Variable dimensions Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com OR RIGHT OR LEFT SHashimo/I 562 Instructions on a squared timber (visitor interaction) Variable dimensions Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com PEN AND REFERENCE: DRAW SHashimo/I 557 Pen and picture print on tracing paper Picture: Newgate exercise yard, Gustave Dore, 1872 Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com CROSS REFERENCE: GRAVE SHashimo/I 556 Two scantlings and photograph print on tracing paper Photograph: World War I, 1918 Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com YOU CAN HAMMER YOURSELF SHashimo/I 566 Hammer, instructions (visitor interaction) Variable dimensions Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com BUCKET AND REFERENCE: ONE FOOT SHashimo/I 570 Bucket, water, photograph print on tracing paper Variable dimensions Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com BRICK AND REFERENCE: UNBALANCE / DIFFERENCE IN LEVEL SHashimo/I 553 Brick and photograph print on tracing paper Photograph: Compound (Chair and Brick), Jiro Takamatsu,1972 Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com CHAIR AND REFERENCE: BARRICADE SHashimo/I 552 Chair and photograph print on tracing paper Photograph: May 1968, Events in France Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com SQUARED TIMBER AND REFERENCE: DESTROY THE WALL SHashimo/I 555 Squared Timber and Reference: Destroy the Wall Photograph: Freetown Christiana, Copenhagen, 1971 Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com COVER YOUR MOUTH WITH TAPE

SHashimo/I 549 Tape, instructions (visitor interaction) Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com ROPE AND REFERENCE: RESTRAIN SHashimo/I 550 Rope and photograph print on tracing paper Photograph: Restraint With the Rope, Satoshi Hashimoto, 2016 Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com SCANTLING AND REFERENCE: HIT PEOPLE SHashimo/I 551 Scantling and photograph print on tracing paper Photograph: Student activism, Haneda, Tokyo, 1967 Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com THROW A STONE SHashimo/I 561 Stones, timber, instructions (visitor interaction) Variable dimensions Edition of 2 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com WOODEN BOARD AND REFERENCE SHashimo/I 554 Wooden board and photograph print on tracing paper Edition of 3 + 1 AP 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com STONE AND REFERENCE: STONE THROWING SHashimo/I 558 Stone, photograph print on paper Photograph: Arab Spring, Tahrir Square, 2011 42.6 × 32.5 cm Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com SCULPTURE OF BRANCUSI AND KNIFE SHashimo/I 560 Black kitchen knife, Photograph 37.7 x 45.5 cm Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com SCULPTURE OF GIACOMETTI AND BLACK KNIFE SHashimo/I 559 Photograph print and Swiss kitchen knife 37.7 x 45.5 cm Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com WHITE NOTE: ALBERTO GIACOMETTI SHashimo/I 567 Sanded down100 Swiss francs banknote 6.6 × 15.6 cm Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com STONE AND REFERENCE: STONE THROWING SHashimo/I 571 Stone, photograph print on paper Variable dimensions Unique 2018 Private Collection

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com STONE AND REFERENCE: ENLARGED STONE SHashimo/I 572 Stone, photograph print on paper Variable dimensions Unique 2018

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com BREAK THE PEDESTAL Performance Broken wooden pedestal, stone, hammer and photograph prints on tracing paper Variable dimensions 2018

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OTHER WORK

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com PHOTOGRAPHER: BODY BUILDER Performance: Body builder, single-lens refmex camera, mirror, assistant, exhibition space, viewers photograph: C-print Art Fair Tokyo 2012 / 2014

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com UNTITLED (PERFECT LOVERS) Félix Gonzalez-Torres (1991) / UNTITLED (RIO/ TOKYO) 2016 Two circular clocks 2016

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com YOU CAN CUT YOURSELF Knife, instructions, visitors 2016

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LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com YOU CAN PAINT YOURSELF Spray paint and printed A4 2016

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Hashimoto has created a lot of art through which he involves viewers and questions their role in the experience of art appreciation in the form of performances, actions, and instructions aimed at inducing the viewers’ own reactions. His sometimes unreasonable instructions and his actions that freely transcend any borders pose questions regarding

  • ur principles of existence. We usually think, speak, and act as if our

actions are entirely the result of our own free will while, in fact, these behaviors are fundamentally infmuenced by someone or something.

SELECTED EXHIBITIONS 2018 NIGHT - TIME = DARK- NESS, Hans & Fritz Contempo- rary, Barcelona 2017 Lives of the Future Artists IV, Tokyo 2016 ART PHOTO TOKYO -edi- tion zero-, Kayabacho, Tokyo Fw: Outside the country, Ja- pan-Malaysia Six practice from 198 Methods of Abstract Direct Action (tentative) Haneda Airport, Tokyo TERATOTERA Festival 2016

  • involve-, Facilities and vacant

premises around JR Mitaka Sta- tion North Exit, Tokyo Everything and Others, LISTE 2016 – Art Fair Basel MOT Annual 2016, Loose Lips Save Ships, Museum of Contem- porary Art Tokyo 2015 Robert Smithson without Robert Smithson, Kazensawa Museum of Contemporary Art, Miyagi Railroad siding 2015, The former Tokorozawa 2nd supply center of school meal, Saitama 2014 Please Quit, Musashino Art University, Tokyo Nation, Dice, Instruction, Daiwa Foundation Japan House, Lon- don Fw:, Galerie Omotesando, Tokyo Photographer (Art Market, Pho- tographer): Bodybuilder (on Art Fair Tokyo), Tokyo International Forum,Tokyo VOCA, The Ueno Royal Museum, Tokyo 2013 Distress, KOGANEI ART SPOT, Tokyo I was Leonardo da Vinci. I sell my soul. I sell heaven, AOYAMA MEGURO, Tokyo 2012 P P P P P P P P P P P, (on Neo Public) Kichijoji Station neighborhood, Tokyo False name (on 14 EVENINGS), The National Museum of Modern Art, Tokyo Arbitrary Decisions and Prejudic- es: I Divide the Audience, The National Art Center, Tokyo Omnilogue: JOURNEY TO THE WEST, Lalit Kara Academy, Delhi 2011 Sell Me Your Concept in India, India Tokorozawa Biennial: SIDING RAIL ROAD, Saitama Identity VII: Festina Lente, nichido contemporary art, Tokyo We dance, YOKOHAMA CRE- ATIVECITY CENTER, Kanagawa 2010 Reverse (on More of an ac- tivity:the artist as choreographer), Hiroshima City Museum of Con- temporary Art, Hiroshima, Japan Weather and Life in End, Asahi Art Square, Tokyo It Decreases When Coming, Art Center Ongoing, Tokyo Can’t Go, Please Come, ARCUS, Ibaraki, Japan Throw a Stone (on POINT), Kyoto Art Center, Kyoto, Japan 2009 Inside/Outside, Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, Milano This River, Yotsuya Art Studium, Tokyo Each/Reach, Morishita Stu- dio, Tokyo Gift, CAMP / Otto Mainzheim Gallery, Tokyo 2008 One Dozen, art space kimu- ra ASK?, Tokyo Foot, Scratch Tile, Yokohama Focus (on POINT), Alternative Space Loop, Seoul Fruit, Times Square, New York FLOWER, ISCP open studios, New York FULCRUM, sh site, New York Frame, 38th & 39th streets, 8th & 9th Avenues, New York

LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com

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CONTACT

Marc Trensig Founder | Director +34 664050768 LONDON Herald Street 13-19, Unit 1 E2 6JT London +44 7378552455 COPENHAGEN Griffenfeldtsgade 7A, Baghuset 2200 København N +45 20970082 BARCELONA San Gil 17 08001 Barcelona +34 934637545

LONDON - COPENHAGEN - BARCELONA www.hans-fritz.com | info@hans-fritz.com